Skip to main content
University of Michigan Press
Fulcrum logo

Share the story of what Open Access means to you

a graphic of a lock that is open, the universal logo for open access

University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.

  1. Home
  2. Music on the Move

Music on the Move

Danielle Fosler-Lussier 2020 Creative Commons Attribution-NonCommercial 4.0 International license Open access version made available with the support of The Ohio State University Libraries, as part of the TOME initiative
Open Access Open Access
Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding; and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. As music crosses cultural, linguistic, and political boundaries, it continually changes. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation.

 

With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels—with or without its makers—including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Highly accessible, jargon-free, and media-rich, Music on the Move is suitable for students as well as general-interest readers.

 
Read Book
  • EPUB (2.07 MB)
  • PDF (3.55 MB)
Buy Book
ISBN(s)
  • 978-0-472-90128-9 (open access)
  • 978-0-472-07450-1 (hardcover)
  • 978-0-472-05450-3 (paper)
Subject
  • Music
Citable Link
  • Table of Contents

  • Resources

  • Stats

  • Cover
  • Title Page
  • Copyright Page
  • Contents
  • Preface
  • Media Chronology
  • Introduction
  • Part 1: Migration
    • Chapter 1. Colonialism in Indonesia
    • Chapter 2. The Romani Diaspora in Europe
    • Chapter 3. The African Diaspora in the United States
  • Part 2: Mediation
    • Chapter 4. Sound Recording and the Mediation of Music
    • Chapter 5. Music and Media in the Service of the State
  • Part 3: Mashup
    • Chapter 6. Composing the Mediated Self
    • Chapter 7. Copyright, Surveillance, and the Ownership of Music
    • Chapter 8. Localizations
    • Conclusion
  • Notes
  • Selected Bibliography
  • Index

Search and Filter Resources

Filter search results by

Section

  • Chapter 61
Filter search results by

Keyword

  • Africa
  • appropriation1
  • Ladysmith Black Mambazo1
  • Simon1
  • United States1
  • more Keyword »
Filter search results by

Format

  • image
Your search has returned 1 resource attached to Music on the Move

Search Constraints

Filtering by: Keyword Africa Remove constraint Keyword: Africa Format image Remove constraint Format: image
Start Over
1 entry found
  • First Appearance
  • Section (Earliest First)
  • Section (Last First)
  • Format (A-Z)
  • Format (Z-A)
  • Year (Oldest First)
  • Year (Newest First)
Number of results to display per page
  • 10 per page
  • 20 per page
  • 50 per page
  • 100 per page
View results as:
List Gallery

Search Results

Fig. 6.1. Paul Simon sitting at a mixing board in a recording studio, manipulating the controls and listening intently.

Paul Simon at the mixing board

From Chapter 6

Fig. 6.1. Paul Simon at the mixing board. Still from Classic Albums: Paul Simon Graceland (DVD, Eagle Rock Entertainment/Isis Productions, 1997).

6,003 views since June 02, 2020
University of Michigan Press logo

University of Michigan Press

Powered by Fulcrum logo

  • About
  • Blog
  • Feedback
  • Contact
  • Contribute
  • Accessibility
  • Preservation
  • Privacy
  • Terms of Service
  • Log In
© University of Michigan Press 2020
x This site requires cookies to function correctly.