Joseph Haydn, String Quartet, op. 54 no. 2, second movement
From Chapter 2
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From Chapter 2
Example 2.7. Joseph Haydn, String Quartet, op. 54 no. 2, second movement, performed by the Dudok Quartet. Used by permission. Youtube: https://www.youtube.com/watch?v=ZjTpAD85vgE
From Chapter 2
Example 2.8. Excerpt from Johannes Brahms, Clarinet Quintet, second movement, performed by Quatuor Modigliani. Youtube: https://www.youtube.com/watch?v=i0WWH-WgRmE.
From Chapter 2
Example 2.9. Franz Liszt, Hungarian Rhapsody no. 2, performed by György Cziffra. The Masters Collection: György Cziffra (Hungaroton HCD32814-16, 2019). Courtesy of Naxos USA.
From Chapter 2
Fig. 2.2. “Liszt-Fantaisie.” Anonymous caricature of Franz Liszt, La vie Parisienne, 3 April 1886. The original caption reads: “Liszt and his saber: He has renounced it today, after recognizing that he would do more damage with just the piano and his two hands. A strange specimen of the octopus species. Eight hands at four octaves each, thirty-two octaves!!!” Reprinted in Richard Leppert, “The Musician of the Imagination,” in The Musician as Entrepreneur, 1700–1914: Managers, Charlatans, and Idealists, ed. William Weber (Bloomington: Indiana University Press, 2004), 42.
From Chapter 2
Example 2.10. Excerpt from Johannes Brahms, Hungarian Dance no. 5, Passepartout Piano Duo. Youtube: https://www.youtube.com/watch?v=QyJPkoL6Wg8). Permission requested.
From Chapter 3
From Chapter 3
From Chapter 3
Example 3.11. Florence Price, "Fantasie nègre" (Black fantasy), performed by Samatha Ege. Used by permission.
From Chapter 3
Example 3.12. Margaret Bonds, "Troubled Water," performed by Samantha Ege. Four Women: Music for Piano by Price, Kaprálová, Bilsland, and Bonds (Wave Theory Records, 2018). Used by permission.
From Chapter 5
Example 5.1. Excerpt near the beginning of Kōsaku Yamada, “Inno Meiji” Symphony. Tokyo Metropolitan Symphony Orchestra, conducted by Takuo Yuasa (Naxos 8.557971, 2007). Youtube: https://www.youtube.com/watch?v=eNrgeL-cSg8
From Chapter 5
Example 5.2. Excerpt near the middle of Kōsaku Yamada, “Inno Meiji” Symphony. Tokyo Metropolitan Symphony Orchestra, conducted by Takuo Yuasa (Naxos 8.557971, 2007). Youtube: https://www.youtube.com/watch?v=eNrgeL-cSg8
From Chapter 5
Example 5.3. Excerpt near the end of Kōsaku Yamada, “Inno Meiji” Symphony. Tokyo Metropolitan Symphony Orchestra, conducted by Takuo Yuasa (Naxos 8.557971, 2007). Youtube: https://www.youtube.com/watch?v=eNrgeL-cSg8
From Chapter 5
Example 5.5. Adnan Saygun,"Dertli Dolap," no. 5 chorale from Yunus Emre. Orchestra of the Ankara State Opera and Ballet Ankara State Opera Chorus, conducted by Hikmet Şimşek (Ankara State Opera A-91.0001, 1991). Translation adapted from Abdur Rahman, https://thecorner.wordpress.com/2018/12/28/dertli-dolap-reflections-on-endless-trouble-is-my-name/, with help from Ali Sait Sadıkoğlu. See also Spotify: https://open.spotify.com/track/6Hc8lkOEx6x3S7M33Rhw4B
From Chapter 5
Example 5.6 Johann Sebastian Bach, chorale "Wer hat dich so geschlagen," from the St. John Passion, performed by the WDR Radio Orchestra and Chorus (Westdeutsche Rundfunk, 2018). Youtube: https://www.youtube.com/watch?v=wCx6cReO5ck