Example 5.1. Excerpt near the beginning of Kōsaku Yamada, “Inno Meiji” Symphony. Tokyo Metropolitan Symphony Orchestra, conducted by Takuo Yuasa (Naxos 8.557971, 2007). Youtube: https://www.youtube.com/watch?v=eNrgeL-cSg8

Example 5.2. Excerpt near the middle of Kōsaku Yamada, “Inno Meiji” Symphony. Tokyo Metropolitan Symphony Orchestra, conducted by Takuo Yuasa (Naxos 8.557971, 2007). Youtube: https://www.youtube.com/watch?v=eNrgeL-cSg8

Example 5.3. Excerpt near the end of Kōsaku Yamada, “Inno Meiji” Symphony. Tokyo Metropolitan Symphony Orchestra, conducted by Takuo Yuasa (Naxos 8.557971, 2007). Youtube: https://www.youtube.com/watch?v=eNrgeL-cSg8

Example 5.4. Excerpt from Burhan Çaçan, “Dertli Dolap – İlahi,” from the recording Ilahiler—Kasideler. Posted by Bayar Müzik on Youtube: https://www.youtube.com/watch?v=-OWREhL-lcs

Example 5.5. Adnan Saygun,"Dertli Dolap," no. 5 chorale from Yunus Emre. Orchestra of the Ankara State Opera and Ballet Ankara State Opera Chorus, conducted by Hikmet Şimşek (Ankara State Opera A-91.0001, 1991). Translation adapted from Abdur Rahman, https://thecorner.wordpress.com/2018/12/28/dertli-dolap-reflections-on-endless-trouble-is-my-name/, with help from Ali Sait Sadıkoğlu. See also Spotify: https://open.spotify.com/track/6Hc8lkOEx6x3S7M33Rhw4B

Example 5.6 Johann Sebastian Bach, chorale "Wer hat dich so geschlagen," from the St. John Passion, performed by the WDR Radio Orchestra and Chorus (Westdeutsche Rundfunk, 2018). Youtube: https://www.youtube.com/watch?v=wCx6cReO5ck

Fig. 5.1. Music on the Move: Superpower interventions during the Cold War. This map represents military interventions instigated or supported by superpowers during the Cold War. Map by Eric Fosler-Lussier after Mike Sewell, The Cold War (Cambridge: Cambridge University Press, 2002), 116–17. Further data from J. Patrice McSherry, “Tracking the Origins of a State Terror Network: Operation Condor,” Latin American Perspectives 29, no. 1 (1 Jan. 2002): 38–60; and Gregg A. Brazinsky, Winning the Third World: Sino-American Rivalry during the Cold War (Chapel Hill: University of North Carolina Press, 2017), 231–69. See also Mary Dudziak, War-Time: An Idea, Its History, Its Consequences (New York: Oxford University Press, 2012), 137–56. (See https://doi.org/10.3998/mpub.9853855.cmp.73)

Example 5.7. Excerpt from Dmitri Shostakovich, "Song of the Forests," end of movement 4 and beginning of movement 5, performed by Yuri Temirkanov, the St. Petersburg Philharmonic Orchestra, the St. Petersburg Chorus, and the Boys' Choir of Glinka College. From On Guard for Peace: Music of the Totalitarian Regime (BMG, 1998). Youtube: https://www.youtube.com/watch?v=9mnWfXv8Nqw

Example 5.8. Excerpt from Galina Ustvolskaya, Piano Sonata no. 2, first movement, performed by Marianne Schroeder (HAT HUT records, 2017 [2010]). Youtube: https://www.youtube.com/watch?v=a87Tn2V2uvA

Example 5.9. Excerpt from Pierre Boulez, Structures Ia (1952), third movement, performed by Alfons and Aloys Kontarsky (Wergo WER 6011-2, reissued 1992). Youtube: https://www.youtube.com/watch?v=EmErwN02fX0&t=220s

Example 5.10: Excerpt from Igor Moiseyev State Academic Dance Ensemble, "Kalmyk Dance." Youtube: https://www.youtube.com/watch?v=QYShDZ_CEMk

Fig. 5.2. Paul Robeson leads shipyard workers in singing “The Star-Spangled Banner.” National Archives of the United States, via Wikimedia Commons.

Example 5.11 , “No Party, No New China.” From “The Little Red Record,” performed by the Chinese Red Army Choir (FGL Productions, 2002). Youtube: https://www.youtube.com/watch?v=AeK-4_tMPkU

Example 5.12. Excerpt from Yuan Wei-Ren and Faye Wong, “Love Without Regrets,” from Love Without Regrets (Hong Kong: Cinepoly CP-5-0091,1993). Translation from Cantonese by Dan Jurafsky. See also Youtube: https://www.youtube.com/watch?v=k18hEJDDyBQ

Example 5.13. Excerpt from Cui Jian, “Nothing to my name,” live performance at Stanford University, 2008. Video posted by nikitavy on Youtube: https://www.youtube.com/watch?v=jaM_6Z5lcWM Good faith effort has been made to contact the videographer.

Example 5.14. Excerpt from Ballet Folklórico de México de Amalia Hernández, “Jalisco.” Video posted on Youtube by Van Patto, Youtube: https://www.youtube.com/watch?v=boae26WIeMc Good faith effort has been made to contact the videographer.

Example 5.15. Excerpt from Igor Stravinsky, The Rite of Spring, performed by the Joffrey Ballet, 1987. Youtube: https://www.youtube.com/watch?v=wzrlwfOUCVY

Example 5.16. Excerpt from Ballet Folklórico de México de Amalia Hernández, “Azteca.” Video posted on Youtube by Van Patto, Youtube: https://www.youtube.com/watch?v=boae26WIeMc Good faith effort has been made to contact the videographer.