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Music on the Move

Danielle Fosler-Lussier 2020 Creative Commons Attribution-NonCommercial 4.0 International license Open access version made available with the support of The Ohio State University Libraries, as part of the TOME initiative
Open Access Open Access
Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding; and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. As music crosses cultural, linguistic, and political boundaries, it continually changes. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation.

 

With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels—with or without its makers—including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Highly accessible, jargon-free, and media-rich, Music on the Move is suitable for students as well as general-interest readers.

 
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ISBN(s)
  • 978-0-472-90128-9 (open access)
  • 978-0-472-07450-1 (hardcover)
  • 978-0-472-05450-3 (paper)
Subject
  • Music
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  • Table of Contents

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  • Cover
  • Title Page
  • Copyright Page
  • Contents
  • Preface
  • Media Chronology
  • Introduction
  • Part 1: Migration
    • Chapter 1. Colonialism in Indonesia
    • Chapter 2. The Romani Diaspora in Europe
    • Chapter 3. The African Diaspora in the United States
  • Part 2: Mediation
    • Chapter 4. Sound Recording and the Mediation of Music
    • Chapter 5. Music and Media in the Service of the State
  • Part 3: Mashup
    • Chapter 6. Composing the Mediated Self
    • Chapter 7. Copyright, Surveillance, and the Ownership of Music
    • Chapter 8. Localizations
    • Conclusion
  • Notes
  • Selected Bibliography
  • Index

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Four-part chorus sings in long, smooth phrases; words are "Jerusalem, Jerusalem, be converted to the Lord your God."

Manuel de Sumaya, Lamentations of the Prophet Jeremiah


Music on the Move: Trading Area of the Dutch East India Company

Video shows a room with many players sitting on the floor close together.

Ladrang Slamet

Fig. 1.2. Diagram shows several layers of activity over time. The bottom one is a slowly repeating pattern, the one above it is twice as fast, the next one is twice again as fast, and so forth.

Cyclical pattern in Central Javanese ladrang form

Gending Bonang Babar Layar, 1

Gending Bonang Babar Layar, 2

Pairs of formally dressed people dance a waltz. Each couple spins as they step in time to the 1-2-3 pattern in the music.

Opening Committee Waltz


Was Pepeko (Waltz)

Open external resource at https://open.spotify.com

Gaplek

Open external resource at https://open.spotify.com
Fig. 1.3. Image is blue on a white china dish, showing three costumed Javanese dancers in a formal pose, with words circling the outside of the image.

Souvenir plate from the Universal Exposition depicting Javanese dancers

pianist onstage, viewed from the audience.

Claude Debussy, Pagodes

Group of about 30 men wearing checkered sarongs perform in a circle on a circular stage, surrounded by tourists.

Choral presentation of "cak" syllables; excerpt from a kecak performance in Uluwatu, Bali.

Fig. 1.4. Diagram shows that three different groups take turns saying “cak” in a repeating pattern; sometimes two groups say it at the same time.

Diagram of interlocking syllables in kecak

Men, seated, chant as an elegantly dressed woman enters from a gate at the side.

Entrance of Sita. Excerpt from a kecak performance at Uluwatu, Bali.

An actor in a monkey mask stands among the tourists as the chanting continues.

Hanuman interacts with the audience. Excerpt from a kecak performance at Uluwatu, Bali.


Music on the Move: Migration of Romani people into Europe

Band plays in a tight corner of a busy restaurant.

Lajos Sárkozi, Jr., and his ensemble playing at the Százéves restaurant, Budapest


Mihály Várady, “Grief, Grief”


Mihály Kolompar, “You are not that sort of girl”


“Who has Been There,” song attributed to "the daughter of Limchi, in Végegyháza, the Buje"

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