Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Ernst Kurth: selected writings
Ernst Kurth and Lee Allen Rothfarb
You don't have access to this book. Please try to log in with your institution.
Log in
-
Frontmatter
-
Foreword by Ian Bent (page xi)
-
Preface (page xiii)
-
Notes on the translation (page xvi)
-
Introduction (page 1)
-
Part I Grundlagen des linearen Kontrapunkts (Foundations of linear counterpoint) (page 35)
-
1 Polyphonic structure (page 37)
-
2 Thematic and motivic processes (page 58)
-
3 Polyphonic melody (page 75)
-
-
Part II Romantische Harmonik und ihre Krise in Wagners "Tristan" (Romantic harmony and its crisis in Wagners "Tristan") (page 97)
-
4 Details of Romantic harmony (page 99)
-
5 Broader dimensions of Romantic harmony (page 130)
-
-
Part III Bruckner
-
6 Bruckner's form as undulatory phases (page 151)
-
7 Details of Bruckner's symphonic waves (page 188)
-
-
Appendix: Complete tables of contents for Kurth's Grundlagen des linearen Kontrapunkts, Romantische Harmonik und ihre Krise in Wagners "Tristan" and Bruckner (page 208)
-
Select bibliography (page 219)
-
Index of musical examples (page 228)
-
General Index (page 230)
Journal Abbreviation | Label | URL |
---|---|---|
NOT | 49.2 (Dec. 1992): 590-593 | http://www.jstor.org/stable/897928 |
MAL | 73.2 (May 1992): 313-315 | http://www.jstor.org/stable/735955 |
Citable Link
Published: 1991
Publisher: Cambridge University Press
- 9780521355223 (hardcover)
- 9781139085113 (ebook)