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  3. Ernst Kurth: selected writings

Ernst Kurth: selected writings

Ernst Kurth and Lee Allen Rothfarb
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  • Contents

  • Reviews

  • Frontmatter
  • Foreword by Ian Bent (page xi)
  • Preface (page xiii)
  • Notes on the translation (page xvi)
  • Introduction (page 1)
  • Part I Grundlagen des linearen Kontrapunkts (Foundations of linear counterpoint) (page 35)
    • 1 Polyphonic structure (page 37)
    • 2 Thematic and motivic processes (page 58)
    • 3 Polyphonic melody (page 75)
  • Part II Romantische Harmonik und ihre Krise in Wagners "Tristan" (Romantic harmony and its crisis in Wagners "Tristan") (page 97)
    • 4 Details of Romantic harmony (page 99)
    • 5 Broader dimensions of Romantic harmony (page 130)
  • Part III Bruckner
    • 6 Bruckner's form as undulatory phases (page 151)
    • 7 Details of Bruckner's symphonic waves (page 188)
  • Appendix: Complete tables of contents for Kurth's Grundlagen des linearen Kontrapunkts, Romantische Harmonik und ihre Krise in Wagners "Tristan" and Bruckner (page 208)
  • Select bibliography (page 219)
  • Index of musical examples (page 228)
  • General Index (page 230)
Reviews
Journal AbbreviationLabelURL
NOT 49.2 (Dec. 1992): 590-593 http://www.jstor.org/stable/897928
MAL 73.2 (May 1992): 313-315 http://www.jstor.org/stable/735955
Citable Link
Published: 1991
Publisher: Cambridge University Press
ISBN(s)
  • 9780521355223 (hardcover)
  • 9781139085113 (ebook)
Series
  • Cambridge Studies in Music
Subject
  • Music & Musicology
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