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The social media reader

Michael Mandiberg c2012 © New York University Press
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ISBN(s)
  • 9780814764060 (paper)
  • 9780814764053 (hardcover)
  • 9780814763025 (ebook)
Subject
  • Film & Media Studies
Citable Link
  • Table of Contents

  • Stats

  • Frontmatter
  • Acknowledgments (page ix)
  • Introduction (Michael Mandiberg, page 1)
  • PART I: MECHANISMS
    • 1 The People Formerly Known as the Audience (Jay Rosen, page 13)
    • 2 Sharing Nicely: On Shareable Goods and the Emergence of Sharing as a Modality of Economic Production (Yochai Benkler, page 17)
    • 3 Open Source as Culture/Culture as Open Source (Siva Vaidhyanathan, page 24)
    • 4 What Is Web 2.0? Design Patterns and Business Models for the Next Generation of Software (Tim O'Reilly, page 32)
    • 5 What Is Collaboration Anyway? (Adam Hyde, Mike Linksvayer, kanarinka, Michael Mandiberg, Marta Peirano, Sissu Tarka, Astra Taylor, Alan Toner, Mushon Zer-Aviv, page 53)
  • PART II: SOCIALITY
    • 6 Participating in the Always-On Lifestyle (danah boyd, page 71)
    • 7 From Indymedia to Demand Media: Journalism's Visions of Its Audience and the Horizons of Democracy (C. W. Anderson, page 77)
  • PART III: HUMOR
    • 8 Phreaks, Hackers, and Trolls: The Politics of Transgression and Spectacle (E. Gabriella Coleman, page 99)
    • 9 The Language of Internet Memes (Patrick Davison, page 120)
  • PART IV: MONEY
    • 10 The Long Tail (Chris Anderson, page 137)
  • PART V: LAW
    • 11 REMIX: How Creativity Is Being Strangled by the Law (Lawrence Lessig, page 155)
    • 12 Your Intermediary Is Your Destiny (Fred von Lohmann, page 170)
    • 13 On the Fungibility and Necessity of Cultural Freedom (Fred Benenson, page 178)
    • 14 Giving Things Away Is Hard Work: Three Creative Commons Case Studies (Michael Mandiberg, page 187)
  • PART VI: LABOR
    • 15 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry (Henry Jenkins, page 203)
    • 16 Gin, Television, and Social Surplus (Clay Shirky, page 236)
    • 17 Between Democracy and Spectacle: The Front-End and Back-End of the Social Web (Felix Stalder, page 242)
    • 18 DIY Academy? Cognitive Capitalism, Humanist Scholarship, and the Digital Transformation (Ashley Dawson, page 257)
  • About the Contributors (page 275)
  • Index (page 279)
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