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Proceedings of the 2022 International Computer Music Conference

The International Computer Music Association
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  • Contents

  • Cover Page
  • Title Page
  • Copyright Page
  • Organising Committee
  • Board of Directors
  • List of Previous Conferences
  • List of Reviewers for ICMC 2022
  • Table of Contents
  • Paper Session 1: Hardware and Software Systems; Composition Systems and Techniques
    • Ken Paoli. Phil Winsor’s Eighth Degree of the Yang Ch’in and Showers of Flowers An examination of Process and Development
    • Kosmas Giannoutakis and Juan Carlos Vasquez. Collaborative Electroacoustic Music Composition on the Blockchain
    • Alexandros Drymonitis and Manolis Manousakis. Echo and Narcissus: Live Coding and Code Poetry in the Opera
  • Paper Session 2: Languages for Computer Music; Composition Systems and Techniques
    • Steven Lewis. Improvising Avatars: Game Environments As A New Medium For Interactive Computer Music
    • Alex McLean, Raphael Forment, Sylvain Le Beux, Damian Silvani. TidalVortex Zero
    • Roger D. Dannenberg. O2: Communication Middleware for Real-Time Distributed Music Applications
  • Paper Session 3: Composition Systems and Techniques
    • Frédèric Dufeu, Michael Clarke, Peter Manning. Max as a Tool for the Musicological Analysis of Computer Music
    • Curtis Roads, Jack Kilhore, Rodney DuPlessis. EmissionControl2: designing a real-time sound file granulator
    • Jean-Michaë; Celerier. Rage Against The Glue: Beyond Run-Time Media Frameworks with Modern C++
  • Paper Session 4: AI and Music; Software and Hardware Systems
    • Igor Vatolkin. Identification of the Most Relevant Zygonic Statistics and Semantic Audio Features for Genre Recognition
    • Kevin Cua, Von-Wun Soo. Music Accompaniment Generation with Instrumental Solos for Pop Music
    • Christon R. Nadar, Michael Taenzer, Jakob Abeßer. Towards Interpreting and Improving the Latent Space for Musical Chord Recognition
  • Paper Session 5: Short Papers
    • David Brynjar Franzson, Victor Shepardsson, Thor Magnusson. Autocoder: a Variational Autoencoder for Spectral Synthesis
    • Stephen Travis Pope. Resurrecting Score-11 in Siren: What ever happened to the score languages of the 1980s?
    • Eoghan Ó Néill, Dr. Miguel Ortiz, Dr. Maarten van Walstijn. Tunable Instrument Body Resonances: From Measured Instrument Body Impulse Response to Parametric Convolutio
    • David DeFilippo. Laterally Coupled Oscillator Systems
  • Paper Session 6: Short papers: Software and Hardware Systems
    • Odysseas Klissouras, Alecandros Kontogeorgakpoloulos, George Sioros. Elastic Transformations: a graphical rhythm transformation process
    • Reece Godfrey, Mathew Rimmer, Chris Headleand, Charles Fox. RhythmTrain: making rhythmic sight reading training fun
    • James Bennett, Bethan Moncur, Kyle Fogarty, Garry Clawson, Charles Fox. Towards Open Source Hardware Robotic Woodwind: an Internal Duct Flute Player
    • Andrea Salgian, Kseniya Rychkova. Real-Time Conducting Animation from Sheet Music
  • Paper Session 7: AR & VR
    • Damian Mills, Franziska Schroeder, John D’Arcy. Facilitating Accessibility in Virtual Reality Musical Environments
    • Lewis Smith, Frank Lyons, Brian Bridgers, Rob Casey. WithFeelVR: the Spatial and Textural Affordances of VRas a Mapping Strategy for an Accessible Digital Musical Instrument
    • Sutirtha Chakraborty, Azeem Yaseen, Joseph Timoney, Victor Lazzarini, Dami an Keller. Adaptive touchless whole-body interaction for casual ubiquitous musical activities
  • Paper Session 8: Short papers: History of Electroacoustic Music; Studio Reports
    • Ulf A. S. Holbrook, Jøran Rudi. Computer music and post-acousmatic practices
    • Mara Helmuth, Yunze Mu, Kieran McAuliffe, Grace Choi, Carl Jacobson, Andy McFarlane. Cincinnati Computer Music 2022
  • Paper Session 9: Acoustic Ecology; Perception and Cognition
    • Dr. Aki Pasoulas, Dr. Andrew Knight-Hill, Dr. Brona Martin. Soundscapes of the Past: Historical Imaginings
    • Nathan Wolek, Grace McEllroy. Designing 3D-printed spectrograms for blind students
    • Sebastian Löbbers, György Fazekas. Seeing Sounds, Hearing Shapes: a gamified study to evaluate sound-sketches
  • Music Piece + Papers Track
    • Spyros Polchronopoulos. LEM: a sound object that performs Live Electronic Music and proposes a new way to compose and distribute music
    • Enrico Dorigatti. Automating Art: A Case-Study of Cellular Automata in Generative Multimedia Art
    • Rob Mackay, Souncamp, Jessica Rodriguez, Pablo Jaramillo Lópex, Rolando Rodriguez, David Blink. Networking the Flight of the Monarchs
    • Juan Parra Cancino. Artifacts of ‘not-here’
    • Rodney DuPlessis. Composing quantum music: Psi
    • Adam McCartney, Thomas Grill. The effects of binary erosion on music composition expressed as a notated score
    • Dr. Freida Abtan. My Heart is a River: Ghost Affect between Audiovisual Composition and Instrumental Performance
Citable Link
Published: 2022
Publisher: Michigan Publishing Services
Contact
International Computer Music Association, Inc.
1819 Polk St., Suite 330
San Francisco, CA 94109
USA

Fax: +1 (734) 878-3031
Email: icma@umich.edu

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