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Whose Spain?: negotiating "Spanish music" in Paris, 1908-1929
Samuel Llano
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Frontmatter
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Foreword (page xi)
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Introduction (page xv)
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PART I—"SPANISH MUSIC" AS PROPAGANDA
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CHAPTER 1. "Spanish Music" as Allied Propaganda (page 3)
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CHAPTER 2. "Spanish Music" as Catholic Propaganda (page 49)
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PART II—NEGOTIATING "FRENCH" AND "SPANISH" MUSIC
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CHAPTER 3. Citizens or Savages? The Spaniards in Raoul Laparra's La jota (1911) (page 99)
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CHAPTER 4. Falla's La vie brève (1914) and Notions of "Spanish Music" (page 136)
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PART III—BUILDING THE POSTWAR ORDER
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CHAPTER 5. Domesticating Difference? Carmen and the "French" Canon in the 1920s (page 161)
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CHAPTER 6. Showcasing Spain at the Opéra Comique: The Homage to Falla (1928) (page 192)
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Conclusions (page 237)
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Bibliography (page 241)
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Index (page 263)
Journal Abbreviation | Label | URL |
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RMu | 36.1/2 (2013): 324-330 | http://www.jstor.org/stable/24245727 |
Citable Link
Published: c2013
Publisher: Oxford University Press
- 9780199858460 (hardcover)
- 9780199979905 (ebook)