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  2. Early Medieval Wall Painting and Painted Sculpture in England: Based on the Proceedings of a Symposium at the Courtauld Institute of Art, February 1985

Early Medieval Wall Painting and Painted Sculpture in England: Based on the Proceedings of a Symposium at the Courtauld Institute of Art, February 1985

Sharon Cather, David Park and Paul Williamson 1990 © BAR Publishing
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Series
  • BAR British Series pre-2020
  • BAR pre-2020
ISBN(s)
  • 9781407318400 (ebook)
  • 9780860547198 (paperback)
BAR Number
  • B216
Subject
  • Archaeology
Citable Link

  • Table of Contents

  • Stats

  • Front Cover
  • Copyright
  • Table of Contents
  • Introduction
  • Documentary References to Anglo-Saxon Painted Architecture
  • Anglo-Saxon Polychrome Plaster and other Materials from the Excavations of Monkwearmouth and Jarrow: an Interim Report
  • Anglo-Saxon Painted Letering at St Patrick's Chapel, Heysham
  • Painted Wall Plaster from the Old and New Minsters in Winchester
  • The Dating of the New Minster Wall Painting
  • The Conservation of the Winchester Anglo-Saxon Fragment
  • Early Painted Wall Plaster from St Albans Abbey
  • Painted Plaster and Sculpture from the Tenth-Century New Minster of St Oswald at Gloucester
  • Nether Wallop Reconsidered
  • Conservation of the Anglo-Saxon Wall Painting at Nether Wallop
  • Anglo-Saxon Painted Plaster Excavated at Colchester Castle, Essex
  • Early Medieval Wal Paintings Excavated in Germany, Italy and England: a Preliminary Survey
  • The Painting of pre-Conquest Sculpture in Northumbria
  • Paint on pre-Conquest Sculpture in South-East England
  • Report on the Reculver Cross Fragments
  • Anglo-Saxon Painted Sculpture at Wells, Breamore and Barton-upon-Humber
  • The Coloured Decoration of Anglo-Saxon Ivory Carvings
  • 'Blue' in the Lewes Group
  • Clayton Church and the Anglo-Saxon Heritage
  • The Fabric of some Sussex Churches with Early Wall Paintings
  • Anglo-Saxon or Anglo-Norman? Wall Paintings at Wareham and other Sites in Southern England
  • Kempley: a Technical Examination of the Romanesque Wall Paintings
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