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Lining out the word : Dr. Watts hymn singing in the music of Black Americans
William T. Dargan and Isaac Watts
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Frontmatter
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LIST OF ILLUSTRATIONS (page ix)
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PREFACE (page xi)
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ACKNOWLEDGMENTS (page xv)
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Introduction (page 1)
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PART I. THE PROVERBIAL TREES: PATTERNS OF CHANGE IN AFRICAN AMERICAN MUSIC MAKING
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1. "Blest Be the Tie That Binds": Part I: Congregational Singing as a Worship Ethos for Dr. Watts Hymns (page 23)
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2. "Blest Be the Tie That Binds": Part II: Regional Style Traditions of Dr. Watts Hymn Singing (page 46)
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3. "Our God, Our Help in Ages Past": The Tradition of Dr. Watts in English Historical Perspective (page 90)
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4. "Father, I Stretch My Hands to Thee": The Tradition of Dr. Watts in African Historical Perspective (page 103)
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5. "I Love the Lord, He Heard My Cries": The Role of Dr. Watts Hymns in the Musical Acculturation of African Americans (page 120)
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6. "Go Preach My Gospel, Saith the Lord": Words as Movers and Shakers in African American Music (page 140)
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PART II. THE PROVERBIAL FOREST: WEBS OF SIGNIFICANCE IN AFRICAN AMERICAN MUSIC MAKING
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7. "I Heard the Voice of Jesus Say": The Singing Life of the Reverend Doctor C.J. Johnson (1913-1990) (page 169)
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8. "Come Ye That Love the Lord": The Lining Out—Ring Shout Continuum and the Five-Key Sequence (page 193)
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9. "God Moves in a Mysterious Way": The Lining Out—Ring Shout Continuum beyond Church Walls (page 214)
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Conclusion (page 235)
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Appendix A. Selection of Transcribed and Discussed Performances (page 243)
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Appendix B. Partial Annotated List of Recorded Lining-Out Performances Held in the Archive of Folk Culture, Library of Congress (page 257)
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NOTES (page 261)
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BIBLIOGRAPHY (page 285)
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DISCOGRAPHY (page 303)
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INDEX (page 305)
Citable Link
Published: c2006
Publisher: University of California Press
- 9780520928923 (ebook)
- 9780520234482 (hardcover)