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Blue Nippon: authenticating jazz in Japan
E. Taylor Atkins
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Frontmatter
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List of Illustrations (page ix)
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Acknowledgments (page xi)
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Prelude: Plenty Plenty Soul (page 1)
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1 The Japanese Jazz Artist and the Authenticity Complex (page 19)
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2 The Soundtrack of Modern Life: Japan's Jazz Revolution (page 45)
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3 Talkin' Jazz: Music, Modernism, and Interwar Japan's Culture Wars (page 93)
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4 "Jazz for the Country's Sake": Toward a New Cultural Order in Wartime Japan (page 127)
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5 Bop, Funk, Junk, and That Old Democracy Boogie: The Jazz Tribes of Postwar Japan (page 165)
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6 Our Thing: Defining "Japanese Jazz" (page 221)
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Postlude: J-Jazz and the Fin de Siècle Blues (page 265)
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Notes (page 277)
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References (page 329)
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Discography (page 351)
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Index (page 357)
Journal Abbreviation | Label | URL |
---|---|---|
JAS | 62.4 (Nov. 2003): 1236-1237 | http://www.jstor.org/stable/3591785 |
ASM | 34.2 (Spring - Summer 2003): 126-130 | http://www.jstor.org/stable/4098460 |
ETMU | 48.1 (Winter 2004): 131-133 | http://www.jstor.org/stable/30046244 |
PM | 21.3 (Oct. 2002): 381-383 | http://www.jstor.org/stable/853729 |
MN | 57.2 (Summer 2002): 263-265 | http://www.jstor.org/stable/3096726 |
JJS | 29.1 (Winter 2003): 222-225 | http://www.jstor.org/stable/25064394 |
EF | 13.1 (Jun. 2004): 153-155 | http://www.jstor.org/stable/20184470 |
AHR | 107.5 (Dec. 2002): 1542-1543 | http://www.jstor.org/stable/10.1086/532881 |
Citable Link
Published: c2001
Publisher: Duke University Press
- 9780822380030 (ebook)
- 9780822327103 (hardcover)
- 9780822327219 (paper)