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Virtualities: television, media art, and cyberculture
Margaret Morse
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Frontmatter
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Acknowledgments (page ix)
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PART ONE: VIRTUALITIES AS FICTIONS OF PRESENCE
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ONE Virtualities: A Conceptual Framework (page 3)
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TWO The News As Performance: The Image As Event (page 36)
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PART TWO: IMMERSION IN IMAGE WORLDS: VIRTUALITY AND EVERYDAY LIFE
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THREE Television Graphics and the Virtual Body: Words on the Move (page 71)
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FOUR An Ontology of Everyday Distraction: The Freeway, the Mall, and Television (page 99)
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FIVE What Do Cyborgs Eat? Oral Logic in an Information Society (page 125)
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PART THREE: MEDIA ART AND VIRTUAL ENVIRONMENTS
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SIX The Body, the Image, and the Space-in-Between: Video Installation Art (page 155)
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SEVEN Cyberscapes, Control, and Transcendence: The Aesthetics of the Virtual (page 178)
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Notes (page 213)
Journal Abbreviation | Label | URL |
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LEO | 33.2 (2000): 146-148 | http://www.jstor.org/stable/1576853 |
AJ | 58.1 (Spring 1999): 107-110 | http://www.jstor.org/stable/777898 |
Citable Link
Published: c1998
Publisher: Indiana University Press
- 9780253115089 (ebook)
- 9780253211774 (paper)
- 9780253333827 (hardcover)