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Twenty plays of the Nō theatre
Donald Keene and Royall Tyler
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Frontmatter
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Foreword by Wm. Theodore de Bary (page ix)
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Preface (page x)
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Glossary of the Names of Roles (page xvi)
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Diagram: The Nō Stage (page xvi)
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Introduction: The Conventions of the Nō Drama (page 1)
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WORKS BY KAN' AMI
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Matsukaze (page 17)
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The Sought-for Grave (Motomezuka) (page 35)
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Komachi and the Hundred Nights (Kayoi Komachi) (page 51)
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WORKS BY ZEAMI
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Komachi at Sekidera (Sekidera Komachi) (page 65)
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The Brocade Tree (Nishikigi) (page 81)
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Semimaru (page 99)
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The Deserted Crone (Obasute) (page 115)
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Lady Han (Hanjo) (page 129)
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The Reed Cutter (Ashikari) (page 147)
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WORKS OF UNKNOWN AUTHORSHIP
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Shōkun (page 165)
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The Shrine in the Fields (Nonomiya) (page 179)
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The Iron Crown (Kanawa) (page 193)
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WORK BY ZENCHIKU
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Yōkihi (page 207)
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WORKS BY NOBUMITSU
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The Priest and the Willow (Yugyō Yanagi) (page 219)
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Dōjōji (page 237)
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A PROGRAM OF FIVE PLAYS
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The Queen Mother of the West (Seiōbo) (page 253)
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Kanehira (page 265)
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The Imperial Visit to Ohara (Ohara Gokō) (page 281)
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The Bird-scaring Boat (Torioi-bune) (page 299)
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The Valley Rite (Tanikō) (page 315)
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Notes on Texts Consulted in Making the Translations (page 333)
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Short Bibliography (page 335)
Journal Abbreviation | Label | URL |
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MAS | 8.4 (1974): 563-564 | http://www.jstor.org/stable/311874 |
JAOS | 94.2 (Apr., Jun. 1974): 226-228 | http://www.jstor.org/stable/600909 |
HJAS | 32 (1972): 289-292 | http://www.jstor.org/stable/2718879 |
MN | 27.1 (Spring, 1972): 117-119 | http://www.jstor.org/stable/2383489 |
Citable Link
Published: c1970
Publisher: Columbia University Press
- 9780231034548 (hardcover)
- 9780231034555 (paper)