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  2. The music and thought of Michael Tippett: modern times and metaphysics

The music and thought of Michael Tippett: modern times and metaphysics

David Clarke c2001 © Cambridge University Press
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Series
  • Music in the Twentieth Century
ISBN(s)
  • 9780521582926 (hardcover)
  • 9781139085670 (ebook)
  • 9780521028844 (paper)
Subject
  • Music & Musicology
Citable Link
  • Table of Contents

  • Reviews

  • Stats

  • Frontmatter
  • Acknowledgements (page x)
  • References to Tippett's scores and essays (page xii)
  • 1 Tippett and the 'world vision' of modernity (page 1)
  • 2 The significance of the concept 'image' in Tippett's musical thought: a perspective from Jung (page 13)
  • 3 Back to Nietzsche? Transformations of the Dionysiac in The Midsummer Marriage and King Priam (page 36)
  • 4 Metaphysics in a cold climate: The Vision of Saint Augustine (page 96)
  • 5 'Shall we...? Affirm!' The ironic and the sublime in The Mask of Time (page 147)
  • 6 The meaning of 'lateness': mediations of work, self and society in Tippett's Triple Concerto (page 206)
  • 7 The golden bird and the porcelain bowl: Byzantium and the politics of artefacts (page 236)
  • Notes (page 270)
  • Bibliography (page 315)
  • Index (page 328)
Reviews
Journal AbbreviationLabelURL
MT 142.1877 (Winter 2001): 63-64 http://www.jstor.org/stable/1004579
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