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The music and thought of Michael Tippett: modern times and metaphysics
David Clarke
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Frontmatter
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Acknowledgements (page x)
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References to Tippett's scores and essays (page xii)
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1 Tippett and the 'world vision' of modernity (page 1)
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2 The significance of the concept 'image' in Tippett's musical thought: a perspective from Jung (page 13)
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3 Back to Nietzsche? Transformations of the Dionysiac in The Midsummer Marriage and King Priam (page 36)
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4 Metaphysics in a cold climate: The Vision of Saint Augustine (page 96)
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5 'Shall we...? Affirm!' The ironic and the sublime in The Mask of Time (page 147)
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6 The meaning of 'lateness': mediations of work, self and society in Tippett's Triple Concerto (page 206)
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7 The golden bird and the porcelain bowl: Byzantium and the politics of artefacts (page 236)
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Notes (page 270)
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Bibliography (page 315)
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Index (page 328)
Journal Abbreviation | Label | URL |
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MT | 142.1877 (Winter 2001): 63-64 | http://www.jstor.org/stable/1004579 |
Citable Link
Published: c2001
Publisher: Cambridge University Press
- 9780521582926 (hardcover)
- 9780521028844 (paper)
- 9781139085670 (ebook)