Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
The critical nexus: tone-system, mode, and notation in early medieval music
Charles M. Atkinson
You don't have access to this book. Please try to log in with your institution.
Log in
-
Frontmatter
-
Note on Abbreviations and Nomenclature for Pitch (page xiii)
-
Prologue (page 3)
-
1. The Heritage of Antiquity (page 6)
-
PART I. THE EIGHTH AND NINTH CENTURIES
-
2. The Reception of Ancient Texts in the Carolingian Era (page 49)
-
3. The Heritage of the Church (page 85)
-
-
PART II. THE SYNTHESIS OF ANCIENT GREEK THEORY AND MEDIEVAL PRACTICE
-
4. Hucbald of St. Amand and Regino of Prüm (page 149)
-
5. Alia musica (page 171)
-
6. Pseudo-Bernelinus, Bern of Reichenau, Pseudo-Odo, and Guido d'Arezzo (page 202)
-
-
Epilogue (page 234)
-
Bibliography (page 259)
-
Index of Chants and Manuscripts (page 292)
-
General Index (page 297)
Journal Abbreviation | Label | URL |
---|---|---|
MAL | 91.2 (May 2010): 248-251 | http://www.jstor.org/stable/40871580 |
SP | 86.1 (Jan. 2011): 159-160 | http://www.jstor.org/stable/41105507 |
NOT | 66.3 (Mar. 2010): 549-551 | http://www.jstor.org/stable/40539512 |
Citable Link
Published: 2009
Publisher: Oxford University Press
- 9780199722389 (ebook)
- 9780190273996 (paper)
- 9780195148886 (hardcover)