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  2. Yellowface: creating the Chinese in American popular music and performance, 1850s-1920s

Yellowface: creating the Chinese in American popular music and performance, 1850s-1920s

Krystyn R. Moon 2006 © Rutgers University Press
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ISBN(s)
  • 9780813535067 (hardcover)
  • 9780813535074 (paper)
  • 9780813535418 (ebook)
Subject
  • American: General & Multiperiod
Citable Link
  • Table of Contents

  • Resources

  • Reviews

  • Related Titles

  • Stats

  • Cover
  • Title Page
  • Copyright and Permissions
  • List of Illustrations
  • List of Music Clips
  • [Dedication]
  • Acknowledgments
  • Introduction
  • Chapter 1 Imagining China Early Nineteenth-Century Writings and Musical Productions
    • [Intro]
    • Nineteenth-Century American and European Writers
    • Exceptions
    • Early American Visions of China in Music
  • Chapter 2 Toward Exclusion American Popular Songs on Chinese Immigration, 1850-1882
    • [Intro]
    • The Creation of John Chinaman
    • Bret Harte's "Heathen Chinee"
    • Yellowface
    • "Peculiar" Cultural Practices and Chinese Exclusion
  • Chapter 3 Chinese and Chinese Immigrant Performers on the American Stage, 1830s-1920s
    • [Intro]
    • Human Curiosities
    • Chinese Immigrants and Music in Public and Private Spaces
    • Chinese Theaters
    • World Expositions
  • Chapter 4 The Sounds of Chinese Otherness and American Popular Music, 1880s-1920s
    • [Intro]
    • Transcriptions of Chinese Music
    • Musical Representations
  • Chapter 5 From Aversion to Fascination New Lyrics and Voices, 1880s-1920s
    • [Intro]
    • Yellowface and Its Codification
    • China, Chinatowns, and Racialized Space
    • The Arrival of China Doll and Ming Toy
    • African Americans and New Racializations
  • Chapter 6 The Rise of Chinese and Chinese American Vaudevillians, 1900s-1920s
    • [Intro]
    • Openings
    • Types of Acts
  • Conclusion
  • Appendix A American Popular Songs with Chinese Subjects or Themes
  • Appendix B Musicals, Revues, and Plays Produced in the United States with Chinese Songs, Scenes, or Characters
  • Notes
    • Introduction
    • Chapter 1 Imagining China
    • Chapter 2 Toward Exclusion
    • Chapter 3 Chinese and Chinese Immigrant Performers
    • Chapter 4 The Sounds of Chinese Otherness
    • Chapter 5 From Aversion to Fascination
    • Chapter 6 The Rise of Chinese and Chinese American Vaudevillians
    • Conclusion
  • Index
  • About the Author

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Ill. 32e.

Ill. 32e.

Ill. 32e.

Ill. 7a.

Ill. 7a.

Ill. 7a.

Courtesy of the California History Room, California State Library, Sacramento.

Portrait of Lee Tung Foo in a Scottish costume.

Ill. 45. Portrait of Lee Tung Foo in a Scottish costume.

Courtesy of the Warshaw Collection of Business Americana—Hair, Archives Center, National Museum of American History, Behring Center, Smithsonian Institution.

Chinese and Japanese character wigs from the Catalogue of Theatrical and Society Hair Goods.

Ill. 29. Chinese and Japanese character wigs from the Catalogue of Theatrical and Society Hair Goods.


Chinese Music

Chinese Music

Ill. 26b.

Ill. 26b.

Ill. 26b.

Ill. 10e.

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Ill. 37b.

Ill. 37b.

Ill. 37b.

Courtesy of the Newberry Library.

"Chinese Popular Air No. 1" (1805), transcribed by John Barrow in Travels in China.

Ill. 24. "Chinese Popular Air No. 1" (1805), transcribed by John Barrow in Travels in China.

Courtesy of Harry Ransom Humanities Research Center, The University of Texas at Austin.

Portrait of the Chinese Whoopee Review.

Ill. 39. Portrait of the Chinese Whoopee Review.

Ill. 7b.

Ill. 7b.

Ill. 7b.

Ill. 3a.

Ill. 3a.

Ill. 3a.

Courtesy of the National Archives, Washington, D.C.

Portrait of Chung Hwa Comedy Four in tuxedos.

Ill. 41. Portrait of Chung Hwa Comedy Four in tuxedos.

Ill. 10b.

Ill. 10b.

Ill. 10b.

Ill. 32b.

Ill. 32b.

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Ill. 35c.

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Ill. 7d.

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Ill. 37g.

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Chinese Serenade

Chinese Serenade

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Reviews
Journal AbbreviationLabelURL
ATJ 23.1 (Spring 2006): 217-220 http://muse.jhu.edu/journals/asian_theatre_journal/v023/23.1kaplan.html
TJ 57.3 (October 2005): 529-531 http://muse.jhu.edu/journals/theatre_journal/v057/57.3steen.html
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