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  3. François Truffaut and friends: modernism, sexuality, and film adaptation

François Truffaut and friends: modernism, sexuality, and film adaptation

Robert Stam
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  • Contents

  • Frontmatter
  • List of Illustrations (page vi)
  • Prelude (page vii)
  • 1. The Origins of Truffaut's Jules and Jim (page 1)
  • 2. The Wave and Adaptation (page 9)
  • 3. The Prototype for Jim: Henti-Pierre Roché (page 15)
  • 4. New York Interlude (page 21)
  • 5. The Don Juan Books (page 27)
  • 6. The Prototype for Jules: Franz Hessel and Flânerie (page 37)
  • 7. Hessel as Novelist (page 47)
  • 8. Hessel's Parisian Romance (page 53)
  • 9. The Prototype for Catherine: Helen Grund Hessel (page 57)
  • 10. L'Amour Livresque (page 63)
  • 11. The Polyphonic Project (page 69)
  • 12. Jules and Jim: The Novel (page 75)
  • 13. From Novel to Film (page 81)
  • 14. Disarming the Spectator (page 91)
  • 15. Polyphonic Eroticism (page 113)
  • 16. Sexperimental Writing: The Diaries (page 117)
  • 17. Sexuality/Textuality (page 125)
  • 18. The Gendered Politics of Flânerie (page 133)
  • 19. Comparative Écriture (page 137)
  • 20. Two English Girls: The Novel (page 151)
  • 21. Two English Girls: The Film (page 177)
  • 22. The (Various) Men Who Loved (Various) Women (page 195)
  • Notes (page 215)
  • Index (page 229)
Citable Link
Published: c2006
Publisher: Rutgers University Press
ISBN(s)
  • 9780813540993 (ebook)
  • 9780813537245 (hardcover)
  • 9780813537252 (paper)
Subject
  • Film & Media Studies
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