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Unmarked: The Politics of Performance
Peggy Phelan
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Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film, theatre and anti-abortion demonstrations.
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Cover Page
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Title Page
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Copyright Page
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Contents
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List of Figures
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Acknowledgements
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1 Broken symmetries: memory, sight, love
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2 Developing the negative: Mapplethorpe, Schor, and Sherman
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3 Spatial envy: Yvonne Rainer's The Man Who Envied Women
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4 The golden apple: Jennie Livingston's Paris Is Burning
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5 Theatre and its mother: Tom Stoppard's Hapgood
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6 White men and pregnancy: discovering the body to be rescued
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7 The ontology of performance: representation without reproduction
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8 Afterward: notes on hope
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Notes
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Bibliography
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Index
Citable Link
Published: 1996
Publisher: Routledge
- 9780203359433 (ebook)