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Black city cinema: African American urban experiences in film
Paula J. Massood
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Frontmatter
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Acknowledgments (page ix)
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Introduction: Migrations, Movies, and African American Cities on the Screen (page 1)
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1 The Antebellum Idyll and Hollywood's Black-Cast Musicals (page 11)
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2 Harlem is Heaven: City Motifs in Race Films from the Early Sound Era (page 45)
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3 Cotton in the City: The Black Ghetto, Blaxploitation, and Beyond (page 79)
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4 Welcome to Crooklyn: Spike Lee and the Rearticulation of the Black Urbanscape (page 117)
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5 Out of the Ghetto, into the Hood: Changes in the Construction of Black City Cinema (page 145)
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6 Taking the A-Train: The City, the Train, and Migration in Spike lee's Clockers (page 175)
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Epilogue: New Millennium Minstrel Shows? African American Cinema in the Late 1990s (page 207)
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Notes (page 227)
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Index (page 257)
Journal Abbreviation | Label | URL |
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AAR | 37.2/3 (Summer-Autumn. 2003): 445-447 | http://www.jstor.org/stable/1512333 |
FQ | 57.4 (Summer. 2004): 48-49 | http://www.jstor.org/stable/10.1525/fq.2004.57.4.48 |
Citable Link
Published: 2003
Publisher: Temple University Press
- 9781592130030 (paper)
- 9781592130023 (hardcover)