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Recorded Places, Experienced Places: The Holocene rock art of the Iberian Atlantic north-west
Ana M. S. Bettencourt, Manuel Santos Estevez, Hugo A. Sampaio and Daniela Cardoso
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This book springs from the compilation of papers and posters presented in 2013 and 2014 at the 2nd and 3rd Enardas Colloquia, entitled 'Living Places, Experienced Places'. The first part, in two chapters, is entitled 'Concepts and tools to study rock art'. The second part, 'From sub-naturalistic to Schematic rock art tradition', discusses various expressions of recorded art in the hinterland area of northwest Iberia, as well as expressions of the schematic art tradition from north-central Portugal. The third part, 'Atlantic tradition rock art' comprises four chapters. The fourth part, 'Other styles', includes five chapters focusing on depictions that the book editors consider distinct from the best-known regional styles.
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Front Cover
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Title Page
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Copyright
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Acknowledgements
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Table of Contents
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List of figures and tables
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Recorded places, experienced places. Some remarks
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Part 1. Concepts and tools to study rock art
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Chapter 1. Contribution of the magical and religious geography to an anthropology of space. A case study in the north-west of Portugal
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Chapter 2. CVARN – Rock Art Virtual Corpus of North-Western Portugal. A multimedia tool to investigate and describe Post-Palaeolithic rock art
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Part 2. From sub-naturalistic to Schematic rock art tradition
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Chapter 3. Abstract and sub-naturalistic prehistoric rock art in the Trás-os-Montes and Alto Douro region of Portugal: the case study of the Passadeiro rock shelter – Palaçoulo (Miranda do Douro)
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Chapter 4. The Lamelas rock art site as a fundamental contributor to the knowledge of post-glacier art in north-western Iberia
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Chapter 5. Rock art of the upper Támega Valley (Galicia, Spain)
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Chapter 6. Rock art places and contexts at Gralheira Massif (central north-west Portugal): a general overview
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Part 3. Atlantic tradition rock art
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Chapter 7. Galician petroglyphs: distribution patterns in the province of A Coruña (north-west Spain)
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Chapter 8. The rock engravings of Cova da Bruxa (Galicia, north-west Iberia). A place of reiterated hunting scenes
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Chapter 9. The Atlantic rock art of Monte Eiró (Penhalonga, Marco de Canaveses, north-west Portugal). New background to its contextualisation
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Chapter 10. Respecting the ancestors? Iron Age life and 4th/3rd millennia BCE rock art within the hillfort of Briteiros (north-west Portugal)
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Part 4. Other styles
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Chapter 11. Post-Palaeolithic rock art of north-western Portugal: an approach
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Chapter 12. Shape and meaning: engraved weapons as materialisations of the Calcolithic/Early Bronze Age cosmogony in north-west Iberia
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Chapter 13. Where do the horses run? A dialogue between signs and matter in the rock carvings of Fornelos (Viana do Castelo, north-west Portugal)
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Chapter 14. Pena Furada sanctuary: astronomical and ritual archaeological aspects(Coirós, A Corunha, Galiza)
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Chapter 15. Boats carved on the Atlantic coast of the Iberian peninsula. Landscape, symbols and people
Citable Link
Published: 2017
Publisher: BAR Publishing
- 9781407345109 (ebook)
- 9781407314846 (paperback)
BAR Number: S2878