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  3. Aftershocks of the new: feminism and film history

Aftershocks of the new: feminism and film history

Patrice Petro
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  • Contents

  • Reviews

  • Frontmatter
  • List of Illustrations (page ix)
  • Acknowledgments (page xi)
  • Introduction: Aftershocks of the New (page 1)
  • Chapter One The "Place" of Television in Film Studies (page 13)
  • Chapter Two Feminism and Film History (page 31)
  • Chapter Three German Film Theory and Anglo-American Film Studies (page 46)
  • Chapter Four After Shock, between Boredom and History (page 57)
  • Chapter Five Historical Ennui, Feminist Boredom (page 82)
  • Chapter Six World-Weariness, Weimar Women, and Visual Culture (page 95)
  • Chapter Seven Nazi Cinema at the Intersection of the Classical and the Popular (page 124)
  • Chapter Eight The Hottentot and the Blonde Venus (page 136)
  • Chapter Nine Film Feminism and Nostalgia for the Seventies (page 157)
  • Notes (page 175)
  • Works Cited (page 195)
  • Index (page 207)
Reviews
Journal AbbreviationLabelURL
MON 96.4 (Winter 2004): 627-629 http://www.jstor.org/stable/30165669
Citable Link
Published: c2002
Publisher: Rutgers University Press
ISBN(s)
  • 9780813529967 (paper)
  • 9780813529950 (hardcover)
Subject
  • Film & Media Studies
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