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Aftershocks of the new: feminism and film history
Patrice Petro
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Frontmatter
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List of Illustrations (page ix)
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Acknowledgments (page xi)
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Introduction: Aftershocks of the New (page 1)
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Chapter One The "Place" of Television in Film Studies (page 13)
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Chapter Two Feminism and Film History (page 31)
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Chapter Three German Film Theory and Anglo-American Film Studies (page 46)
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Chapter Four After Shock, between Boredom and History (page 57)
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Chapter Five Historical Ennui, Feminist Boredom (page 82)
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Chapter Six World-Weariness, Weimar Women, and Visual Culture (page 95)
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Chapter Seven Nazi Cinema at the Intersection of the Classical and the Popular (page 124)
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Chapter Eight The Hottentot and the Blonde Venus (page 136)
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Chapter Nine Film Feminism and Nostalgia for the Seventies (page 157)
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Notes (page 175)
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Works Cited (page 195)
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Index (page 207)
Journal Abbreviation | Label | URL |
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MON | 96.4 (Winter 2004): 627-629 | http://www.jstor.org/stable/30165669 |
Citable Link
Published: c2002
Publisher: Rutgers University Press
- 9780813529967 (paper)
- 9780813529950 (hardcover)