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  3. The classical monument: reflections on the connection between morality and art in Greek and Roman sculpture

The classical monument: reflections on the connection between morality and art in Greek and Roman sculpture

Philipp P. Fehl
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  • Contents

  • Reviews

  • Frontmatter
  • Preface (page vii)
  • List of Illustrations (page xiii)
  • I The Role of the Imagination (page 1)
  • II The Canon (page 12)
  • III Types of Monuments in Greece and Rome (page 25)
  • IV Monuments and Morality (page 50)
  • V The Monument in Late Antiquity (page 70)
  • VI Art Historical Perspectives (page 77)
  • VII Toward a Revival of Classical Standards (page 88)
  • Appendix 1 Samuel Johnson, Rasselas (page 98)
  • Appendix 2 Conrad Ferdinand Meyer: A Letter on Ancient Sculptures in the Vatican Collections (page 100)
  • Appendix 3 Heinrich Meyer: "On Goethe's Colossal Portrait in Marble by David d'Angers" (page 102)
  • Bibliography (page 106)
  • Illustrations (page 117)
Reviews
Journal AbbreviationLabelURL
JAAC 33.1 (Autumn, 1974): 113-114 http://www.jstor.org/stable/428964
AB 56.4 (Dec. 1974): 595-596 http://www.jstor.org/stable/3049308
RQ 29.3 (Autumn, 1976): 391-393 http://www.jstor.org/stable/2860281
Citable Link
Published: 1972
Publisher: College Art Association
ISBN(s)
  • 9780814725542 (hardcover)
Series
  • College Art Association Monographs
Subject
  • Art History
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