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The classical monument: reflections on the connection between morality and art in Greek and Roman sculpture
Philipp P. Fehl
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Frontmatter
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Preface (page vii)
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List of Illustrations (page xiii)
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I The Role of the Imagination (page 1)
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II The Canon (page 12)
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III Types of Monuments in Greece and Rome (page 25)
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IV Monuments and Morality (page 50)
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V The Monument in Late Antiquity (page 70)
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VI Art Historical Perspectives (page 77)
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VII Toward a Revival of Classical Standards (page 88)
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Appendix 1 Samuel Johnson, Rasselas (page 98)
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Appendix 2 Conrad Ferdinand Meyer: A Letter on Ancient Sculptures in the Vatican Collections (page 100)
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Appendix 3 Heinrich Meyer: "On Goethe's Colossal Portrait in Marble by David d'Angers" (page 102)
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Bibliography (page 106)
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Illustrations (page 117)
Journal Abbreviation | Label | URL |
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JAAC | 33.1 (Autumn, 1974): 113-114 | http://www.jstor.org/stable/428964 |
AB | 56.4 (Dec. 1974): 595-596 | http://www.jstor.org/stable/3049308 |
RQ | 29.3 (Autumn, 1976): 391-393 | http://www.jstor.org/stable/2860281 |
Citable Link
Published: 1972
Publisher: College Art Association
- 9780814725542 (hardcover)