Skip to main content
ACLS Humanities EBook

ACLS
Humanities Ebook

Browse Books Help
Get access to more books. Log in with your institution.

Your use of this Platform is subject to the Fulcrum Terms of Service.

Share the story of what Open Access means to you

a graphic of a lock that is open, the universal logo for open access

University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.

  1. Home
  2. Books
  3. Oplontis: Villa A ("of Poppaea") at Torre Annunziata, Italy. Volume 2. The Decorations: Painting, Stucco, Pavements, Sculptures

Oplontis: Villa A ("of Poppaea") at Torre Annunziata, Italy. Volume 2. The Decorations: Painting, Stucco, Pavements, Sculptures

John R. Clarke and Nayla K. Muntasser
Open Access Open Access
Read Book
  • EPUB (607 MB)
  • Contents

  • Title Page
  • Copyright and Permissions
  • Acknowledgments
  • List of Illustrations
    • Chapter 1
    • Chapter 2
    • Chapter 3
    • Chapter 4
    • Chapter 5
    • Chapter 6
    • Chapter 7
    • Chapter 8
    • Chapter 9
    • Chapter 10
    • Chapter 11
    • Chapter 12
    • Chapter 13
    • Chapter 14
    • Chapter 15
    • Chapter 16
    • Chapter 17
    • Chapter 18
    • Chapter 19
    • Chapter 20
    • Chapter 21
    • Chapter 22
    • Chapter 23
    • Chapter 24
  • Premessa. Massimo Osanna
  • Introduction. John R. Clarke and Nayla K. Muntasser
  • Chapter 1. Regina Gee. “The Period Styles and Period-Style Restorations”
    • Introduction
    • The Second Style at Villa A
    • The Second Style and the “Boscoreale” workshop at Villa A
    • Third- and Fourth-Style painters in the Second-Style rooms of Villa A
    • The Third Style at Villa A
    • Fourth-Style Painters in the Third-Style Rooms of Villa A
    • The Fourth Style at Villa A
    • Fourth-Style Design Categories: “Tapestry Manner,” Garden Rooms, and Imitation Stone
    • Fourth-Style Ceiling Decoration
    • Two Fourth-Style Workshops: A and B
    • Notes
  • Chapter 2. Eric M. Moormann. “The Second-Style Paintings at Oplontis”
    • Previous Scholarship
    • Atrium 5
    • Walls in Corridors at South of Atrium
    • Cubiculum 11
    • Oecus 12
    • Triclinium 14
    • Oecus 15
    • Oecus 23
    • Workshop
    • Notes
  • Chapter 3. John R. Clarke. “Decorations of the Early Third Style at Oplontis Villa A”
    • Dating the Third Style
    • New and Remodeled Wall Painting
    • Third-Style Mosaics
    • Conclusions
    • Catalogue of Fragments Currently Stored in Villa A, Room 29
    • Notes
  • Chapter 4. Domenico Esposito. “Il IV Stile nella Villa A di Oplontis”
    • Introduzione
    • Descrizione degli ambienti
    • Ambienti posti intorno al settore dell’atrio
    • Ambienti dell’ala orientale
    • Ambienti del settore dell’atriolum del balneum
    • Conclusioni
    • Notes
  • Chapter 5. Bettina Bergmann. “Reading the Garden Paintings in Villa A at Oplontis”
    • Painted Gardens in the West and East Wings of Villa A
    • The Villa Frescoes and the Genre of Roman Garden Painting
    • Conclusion
    • Notes
  • Chapter 6. Ivo van der Graaff. “The Recovered Tympanum of Cubiculum 11: A New Document for the Study of City Walls”
    • Notes
  • Chapter 7. Gregory Tucker and Matthew Naglak. “Pinguntur enim portus: The Spatio-Temporal Context of Maritime Landscape Painting at Villa A”
    • Introduction to Access Graphs and Visibility Analysis
    • Third- and Fourth-Style Maritime Scenes
    • Conclusions
    • Tables
    • Notes
  • Chapter 8. Paolo Baronio. “Alcune considerazioni sulla ricostruzione digitale degli affreschi degli ambienti 12, 20, 25, 31 e 46”
    • Notes
  • Chapter 9. Sandra Joshel and Lauren Petersen. “Seeing Slaves at Villa A”
    • Slaves and Villa Life: A View of the Slave Population at a Maritime Villa
    • Seeing slaves: Strategy and Tactic
    • Strategy, Architecture, and Slaves
    • Strategy in Villa A at Oplontis
    • Tactics at Villa A
    • Conclusion
    • Notes
  • Chapter 10. John R. Clarke. “The Study of Fresco Fragments: Methods and Attributions”
    • Group One: The Orphaned Fragments
    • Unattributed Fragments of the Second Style
    • Work with Fragments of the Third Style
    • Work with Fragments of the Fourth Style
    • Fragments of Painted Stucco Lacunar Ceiling
    • White-Ground Ceiling Reconstructed from Nine Fragments
    • Other Attributed Fourth-Style Fragments
    • Group Two: Fragments from the Fondo Fattorusso (“Villa C”)
    • Group Three: Fragments from Documented Excavations
    • Future Directions
    • Notes
  • Chapter 11. Pietro Baraldi. “Indagini su materiali e tecniche della pittura della Villa A di Oplontis”
    • Strumenti e metodi di indagine
    • Dati emersi dalle indagini spettroscopiche in situ
    • Dati emersi dalle indagini spettroscopiche sui frammenti immagazzinati negli ambiente 28-29
    • Risultati delle indagini sui campioni
    • Considerazioni su tavolozze e tecniche applicate
    • Ringraziamenti
    • Notes
  • Chapter 12. Rita Scognamiglio. “Motivi decorativi di II stile: Rankenmutter, thiasoi marini e fregi popolati”
    • Le Rankenmutter
    • I thiasoi marini
    • I fregi popolati
    • Conclusioni
    • Catalogo
    • Notes
  • Chapter 13. Rita Scognamiglio. “Gli stucchi dell’ambiente 20”
    • Condizioni di rinvenimento
    • La decorazione
    • Ipotesi di datazione
    • Notes
  • Chapter 14. Zoe Schofield. “Observations on the Role of Fourth-Style Decorative Bands: The Unseen Relationship between the Second and the Fourth Styles in Villa A”
    • Introduction
    • The Relationship Between the Second and the Fourth Style
    • Terminology
    • Decorative Band Types
    • Decorative Language
    • In Search of the Decorator
    • Workshop
    • Individuality
    • Dating, Architectural Anomalies, Decorating Practices, and Reconstruction
    • Further Study to Investigate the Commercial Sphere of the Oplontine Workshop
    • Locating Incorrect Areas of Modern Reconstruction
    • Survival and Reconstruction
    • Comparanda
    • Conclusion
    • Notes
  • Chapter 15. John R. Clarke and Simon Barker. “Reconstructing the Decorative Program of Diaeta 78”
    • Introduction
    • Decoration in Wood
    • Decoration in Marble
    • Dating Evidence
    • Conclusion
    • Notes
  • Chapter 16. Eric M. Moormann. “Marble Sculpture and Architectural Elements”
    • Ideal and Mythical Figural Statuary
    • Portraits
    • Statue Fragments
    • Bases and Herms
    • Garden Elements
    • Architectural Sculpture
    • Capitals
    • Column Bases
    • Room 35
    • Porticus 40, South Side
    • Garden 56
    • Porticus 60
    • Room 69
    • Room 86
    • Uninventoried Architectural Fragments
    • Terracotta Objects
    • Use and Function of the Oplontis Sculptures
    • Architectural Decoration
    • Notes
  • Chapter 17. Simon Barker, J. Clayton Fant. “Stone Sources and Types: Report on Provenance Analyses for the Sculpture and Architectural Marbles from Oplontis”
    • Introduction
    • Methodology
    • Results
    • Discussion of Architectural Marbles
    • Discussion of Sculptural Marbles
    • Final Remarks
    • Notes
  • Chapter 18. Simon Barker and J. Clayton Fant. “Lithic decoration: Sources, Styles, Repairs and Spoliation”
    • Introduction
    • The Lithic Decoration of the Original Construction
    • Lithic Decoration in the Third-Style Period
    • Lithic Decoration in the Neronian Building Phase
    • Painted Imitation Marble
    • The Fate of the Lithic Decoration at Villa A
    • Conclusion
    • Notes
  • Chapter 19. Rebecca Benefiel. “Scope and Typology of the Graffiti at Oplontis”
    • The Location and Distribution of Graffiti
    • Numerical Graffiti
    • Figural Graffiti
    • The Language of the Graffiti
    • Good Fortune
    • Female and Male Names
    • Conclusions
    • Notes
  • Chapter 20. Rebecca Benefiel. “Catalogue of the Graffiti”
  • Chapter 21. Regina Gee. “Catalogue of the Wall Paintings”
    • Notes
  • Chapter 22. Lea Cline. “Catalogue of the Pavements”
    • Notes
  • Chapter 23. Fiammetta Calosi. “Catalogo delle cornici di stucco”
    • Premessa
    • Notes
  • Chapter 24. Zoe Schofield. “Catalogue of the Carpet Borders”
    • Introduction
    • Decorated Lines and their Motifs
    • Notes
  • Bibliography
Citable Link
Published: 2019
Publisher: American Council of Learned Societies
Copyright Holder: The Oplontis Project
ISBN(s)
  • 9781628201383 (ebook)
Subject
  • European: Ancient to 400 C.E.

Resources

Search and Filter Resources

Filter search results by

Format

  • image2,389

Search Constraints

« Previous | 1 - 20 of 2,389 | Next »
  • First Appearance
  • Section (Earliest First)
  • Section (Last First)
  • Format (A-Z)
  • Format (Z-A)
  • Year (Oldest First)
  • Year (Newest First)
Number of results to display per page
  • 10 per page
  • 20 per page
  • 50 per page
  • 100 per page
View results as:
List Gallery

Search Results

Fig. 1.1. Plan showing painting styles and workshops at Villa A. Drawing: T. Liddell.

Fig. 1.1. Plan showing painting styles and workshops at Villa A. Drawing: T. Liddell.

Fig. 1.1. Plan showing painting styles and workshops at Villa A. Drawing: T. Liddell.

Fig. 1.2. Atrium 5, west wall. Photo: P. Bardagjy.

Fig. 1.2. Atrium 5, west wall. Photo: P. Bardagjy.

Fig. 1.2. Atrium 5, west wall. Photo: P. Bardagjy.

Fig. 1.3. Atrium 5, north wall of southwestern corridor. Photo: P. Bardagjy.

Fig. 1.3. Atrium 5, north wall of southwestern corridor. Photo: P. Bardagjy.

Fig. 1.3. Atrium 5, north wall of southwestern corridor. Photo: P. Bardagjy.

Fig. 1.4. View of cubiculum 11 from 5, screenshot from 3D model. Model: Oplontis Project.

Fig. 1.4. View of cubiculum 11 from 5, screenshot from 3D model. Model: Oplontis Project.

Fig. 1.4. View of cubiculum 11 from 5, screenshot from 3D model. Model: Oplontis Project.

Fig. 1.5. Atrium 5, north wall of southeastern corridor. Photo: P. Bardagjy.

Fig. 1.5. Atrium 5, north wall of southeastern corridor. Photo: P. Bardagjy.

Fig. 1.5. Atrium 5, north wall of southeastern corridor. Photo: P. Bardagjy.

Fig. 1.6. Atrium 5, west wall with digital reconstruction of upper right side. Drawing: T. Liddell.

Fig. 1.6. Atrium 5, west wall with digital reconstruction of upper right side. Drawing: T. Liddell.

Fig. 1.6. Atrium 5, west wall with digital reconstruction of upper right side. Drawing: T. Liddell.

Fig. 1.7. Oecus 15, east wall. Photo: P. Bardagjy.

Fig. 1.7. Oecus 15, east wall. Photo: P. Bardagjy.

Fig. 1.7. Oecus 15, east wall. Photo: P. Bardagjy.

Fig. 1.8. Triclinium 14, east wall, detail of gate pull. Photo: P. Bardagjy.

Fig. 1.8. Triclinium 14, east wall, detail of gate pull. Photo: P. Bardagjy.

Fig. 1.8. Triclinium 14, east wall, detail of gate pull. Photo: P. Bardagjy.

Fig. 1.9. Triclinium 14, west wall, detail of gate pull. Photo: P. Bardagjy.

Fig. 1.9. Triclinium 14, west wall, detail of gate pull. Photo: P. Bardagjy.

Fig. 1.9. Triclinium 14, west wall, detail of gate pull. Photo: P. Bardagjy.

Fig. 1.10. Triclinium 14, west wall, detail of gates with shield, garlands and griffins. Photo: P. Bardagjy.

Fig. 1.10. Triclinium 14, west wall, detail of gates with shield, garlands and griffins. Photo: P. Bardagjy.

Fig. 1.10. Triclinium 14, west wall, detail of gates with shield, garlands and griffins. Photo: P. Bardagjy.

Fig. 1.11. Oecus 15, east wall, detail of peacock on left. Photo: P. Bardagjy.

Fig. 1.11. Oecus 15, east wall, detail of peacock on left. Photo: P. Bardagjy.

Fig. 1.11. Oecus 15, east wall, detail of peacock on left. Photo: P. Bardagjy.

Fig. 1.12. Oecus 15, east wall, detail of peacock on right. Photo: P. Bardagjy.

Fig. 1.12. Oecus 15, east wall, detail of peacock on right. Photo: P. Bardagjy.

Fig. 1.12. Oecus 15, east wall, detail of peacock on right. Photo: P. Bardagjy.

Fig. 1.13. Triclinium 14, west wall, detail of vegetal goddess on architrave. Photo: P. Bardagjy.

Fig. 1.13. Triclinium 14, west wall, detail of vegetal goddess on architrave. Photo: P. Bardagjy.

Fig. 1.13. Triclinium 14, west wall, detail of vegetal goddess on architrave. Photo: P. Bardagjy.

Fig. 1.14. Triclinium 14, east wall, detail of vegetal goddess in pediment. Photo: P. Bardagjy.

Fig. 1.14. Triclinium 14, east wall, detail of vegetal goddess in pediment. Photo: P. Bardagjy.

Fig. 1.14. Triclinium 14, east wall, detail of vegetal goddess in pediment. Photo: P. Bardagjy.

Fig. 1.15. Cubiculum 11, north alcove, detail of vegetal goddess in pediment. Photo: P. Bardagjy.

Fig. 1.15. Cubiculum 11, north alcove, detail of vegetal goddess in pediment. Photo: P. Bardagjy.

Fig. 1.15. Cubiculum 11, north alcove, detail of vegetal goddess in pediment. Photo: P. Bardagjy.

Fig. 1.16. Cubiculum 11, north alcove, detail of figural frieze and vegetal goddess frieze. Photo: P. Bardagjy.

Fig. 1.16. Cubiculum 11, north alcove, detail of figural frieze and vegetal goddess frieze. Photo: P. Bardagjy.

Fig. 1.16. Cubiculum 11, north alcove, detail of figural frieze and vegetal goddess frieze. Photo: P. Bardagjy.

Fig. 1.17. Oecus 15, east wall, detail of figural frieze. Photo: P. Bardagjy.

Fig. 1.17. Oecus 15, east wall, detail of figural frieze. Photo: P. Bardagjy.

Fig. 1.17. Oecus 15, east wall, detail of figural frieze. Photo: P. Bardagjy.

Fig. 1.18. Triclinium 14, north wall, detail of silver casket with figural frieze. Photo: P. Bardagjy.

Fig. 1.18. Triclinium 14, north wall, detail of silver casket with figural frieze. Photo: P. Bardagjy.

Fig. 1.18. Triclinium 14, north wall, detail of silver casket with figural frieze. Photo: P. Bardagjy.

Fig. 1.19. Cubiculum 11, north alcove. Photo: P. Bardagjy.

Fig. 1.19. Cubiculum 11, north alcove. Photo: P. Bardagjy.

Fig. 1.19. Cubiculum 11, north alcove. Photo: P. Bardagjy.

Fig. 1.20. Atrium 5, east wall, detail of alabaster column. Photo: P. Bardagjy.

Fig. 1.20. Atrium 5, east wall, detail of alabaster column. Photo: P. Bardagjy.

Fig. 1.20. Atrium 5, east wall, detail of alabaster column. Photo: P. Bardagjy.

  • « Previous
  • Next »
  • 1
  • 2
  • 3
  • 4
  • 5
  • …
  • 119
  • 120
ACLS Humanities Ebook Contact Us

Twitter

ACLS Michigan Publishing

ACLS HEB is a partnership between ACLS and Michigan Publishing

ACLS HEB

  • Browse and Search
  • About ACLS HEB
  • Impact and Usage

Information For

  • Librarians
  • Publishers
  • Societies

Quicklinks

  • Help/FAQ
  • Title List
  • MARC Records
  • KBART Records
  • Usage Stats
© 2022 ACLS Humanities Ebook · Accessibility · Preservation · Privacy · Terms of Service
Powered by Fulcrum logo · Log In
x This site requires cookies to function correctly.