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Handel as Orpheus: voice and desire in the chamber cantatas
Ellen T. Harris
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Frontmatter
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Acknowledgments (page ix)
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Note on the Musical Examples (page xii)
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Prologue: "The Ways of the World" (page 1)
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1 Code Names and Assumed Identities (page 25)
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2 Women's Voices/Men's Voices (page 49)
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3 Pastoral Lovers (page 85)
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4 Cantata Couples and Love Triangles (page 127)
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5 Silence and Secrecy (page 171)
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6 Culmination of the Private (page 210)
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Epilogue: "True Representation" (page 240)
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Appendix I: Cantata Chronology (page 267)
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Appendix 2: Texts and Translations of the Continuo Cantatas (page 297)
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Bibliographic Abbreviations (page 367)
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Notes (page 373)
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Title Index of Handel's Cantatas, Duets, and Trios (page 417)
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General Index (page 421)
Journal Abbreviation | Label | URL |
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MAL | 85.1 (2004): 62-82 | http://muse.jhu.edu/journals/music_and_letters/v085/85.1aspden.pdf |
JHSex | 17.1 (2008) 150-158 | http://muse.jhu.edu/journals/journal_of_the_history_of_sexuality/v017/17.1dugaw.html |
NOT | 59.3 (2003) 642-644 | http://muse.jhu.edu/journals/notes/v059/59.3brett.html |
Citable Link
Published: c2001
Publisher: Harvard University Press
- 9780674015982 (paper)
- 9780674006171 (hardcover)