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Theatre of the book, 1480-1880: print, text, and performance in Europe
Julie Stone Peters
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Frontmatter
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List of Illustrations (page ix)
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Introduction (page 1)
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Note on Editions, Spellings, Translations, and Citations (page 11)
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PRINTING THE DRAMA
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1. Experimenting on the Page, 1480-1630 (page 15)
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2. Drama as Institution, 1630-1760 (page 41)
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3. Illustrations, Promptbooks, Stage Texts, 1760-1880 (page 66)
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THEATRE IMPRIMATUR
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4. Reinventing "Theatre" via the Printing Press (page 93)
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5. Critical Law, Theatrical Licence (page 113)
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6. Accurate Texts, Authoritative Editions (page 129)
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THE SENSES OF MEDIA
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7. The Sense of the Senses: Sound, Gesture, and the Body on Stage (page 147)
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8. Narrative Form and Theatrical Illusions (page 166)
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9. Framing Space: Time, Perspective, and Motion in the Image (page 181)
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THE COMMERCE OF LETTERS
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10. Dramatists, Poets, and Other Scribblers (page 203)
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11. Who Owns the Play? Pirate, Plagiarist, Imitator, Theif (page 219)
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12. Making it Public (page 237)
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THEATRICAL IMPRESSIONS
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13. Scenic Pictures (page 257)
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14. Actor/Author (page 276)
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15. A Theatre Too Much With Us (page 294)
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Epilogue (page 308)
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Notes (page 313)
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Works Cited (page 444)
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Index (page 487)
Journal Abbreviation | Label | URL |
---|---|---|
SCJ | 33.2 (Summer. 2002): 549-551 | http://www.jstor.org/stable/4143967 |
MRD | 16 (2003): 314-318 | http://www.jstor.org/stable/24322916 |
RENS | 18.2 (Jun. 2004): 348-351 | http://www.jstor.org/stable/24413421 |
MLQ | 64.1 (Mar. 2003): 126-130 | https://muse.jhu.edu/article/39488 |
Citable Link
Published: 2000
Publisher: Oxford University Press
- 9780198187141 (hardcover)
- 9780199262168 (paper)