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Following Chaucer: Offices of the Active Life

Lynn Staley
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Following Chaucer: Offices of the Active Life explores three representative figures—the royal woman, the poet, and the merchant—in relation to the concept of "office," which Cicero linked to the health of the republic, but Chaucer to that of the common good. Not usually conjoined to the term "office," these three figures, situated in the active life, were not firmly mapped onto the body politic, which was used to figure a relational and ordered social body ruled by the king, the head. These figures are points of entry into a set of questions rooted in Chaucer's understanding of his cultural and historical past and in his keen appraisal of the social dynamics of his own time that also reverberate in the centuries after Chaucer's death.

Following Chaucer does not trace influence but uses Chaucer's likely reading, circumstances, and literary and social affiliations as guides to understanding his poetry, within the context of late medieval English culture and the reshaping of the concept of these particular offices that suited the needs of a future whose dynamics he anticipated. His understanding of the importance of the Ciceronian concept of office within the active life, his profound cultural awareness, and his probing of the foundations of social change provide him with a keen sense of the persistent tensions and inconsistencies that are fundamental to his poetry.

  • Cover
  • Title Page
  • Copyright Page
  • Contents
  • Acknowledgments
  • Introduction
  • Chapter 1. Anne of Bohemia
  • Chapter 2. Chaucer and the Trinity
  • Illustrations
  • Chapter 3. Chaucer and Merchant Narratives
  • Epilogue
  • Notes
  • Works Cited
  • Index
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Published: 2020
Publisher: University of Michigan Press
ISBN(s)
  • 978-0-472-12662-0 (ebook)
  • 978-0-472-13187-7 (hardcover)
Subject
  • Classical Studies:Roman
  • Medieval and Renaissance Studies

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This is a miniature from the mid-fourteenth century Avis aus roys, which advises a prince about the qualities of a good king. This miniature depicts the prince as a personification of the state. The body of a naked crowned figure is divided into parts, each part identified by a banderole. The king’s subjects are the members of his body—counselors are the heart; knights who defend are the arms; because they move around the world, merchants are the legs. The prince is the head.

Regal Body Politic, Avis aus Roys, New York. Pierpont Morgan MS M.456.005r.

From Chapter 3

Plate 6. Regal Body Politic, Avis aus Roys, New York, Pierpont Morgan MS M.456.005r-Avis aus Roys. Reprinted courtesy of Pierpont Morgan Library.

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