Skip to main content
ACLS Humanities E-Book
Fulcrum logo

Share the story of what Open Access means to you

a graphic of a lock that is open, the universal logo for open access

University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.

  1. Home
  2. Musicology and difference: gender and sexuality in music scholarship

Musicology and difference: gender and sexuality in music scholarship

Ruth A. Solie 1995 © University of California Press
Restricted You do not have access to this book. How to get access.
Read Book
ISBN(s)
  • 9780520079274 (hardcover)
  • 9780520201460 (paper)
  • 9780520916500 (ebook)
Subject
  • Music & Musicology
Citable Link
  • Table of Contents

  • Reviews

  • Stats

  • Frontmatter
  • ACKNOWLEDGMENTS (page xi )
  • Introduction: On "Difference" (Ruth A. Solie, page 1 )
  • SYSTEMS OF DIFFERENCE
    • Gender and Other Dualities of Music History (Leo Treitler, page 23 )
    • Difference and Power in Music (John Shepherd, page 46 )
    • Loving It: Music and Criticism in Roland Barthes (Barbara Engh, page 66 )
  • CULTURAL CONTEXTS OF DIFFERENCE
    • Charles Ives and Gender Ideology (Judith Tick, page 83 )
    • The Ethnomusicologist as Midwife (Carol E. Robertson, page 107 )
    • Women as Musicians: A Question of Class (Nancy B. Reich, page 125 )
  • INTERPRETIVE STRATEGIES
    • Miriam Sings Her Song: The Self and the Other in Anthropological Discourse (Ellen Koskoff, page 149 )
    • Lesbian Fugue: Ethel Smyth's Contrapuntal Arts (Elizabeth Wood, page 164 )
    • Reading as an Opera Queen (Mitchell Morris, page 184 )
    • Schwarze Gredel and the Engendered Minor Mode in Mozart's Operas (Gretchen A. Wheelock, page 201 )
  • CRITICAL READINGS
    • Opera; or, the Envoicing of Women (Carolyn Abbate, page 225 )
    • Britten's Dream (Philip Brett, page 259 )
    • Of Women, Music, and Power: A Model from Seicento Florence (Suzanne G. Cusick, page 281 )
    • Carnaval, Cross-Dressing, and the Woman in the Mirror (Lawrence Kramer, page 305 )
    • Narrative Agendas in "Absolute" Music: Identity and Difference in Brahms's Third Symphony (Susan McClary, page 326 )
  • CONTRIBUTORS (page 345 )
  • INDEX (page 349 )
Reviews
Journal AbbreviationLabelURL
JHSex 5.3 (Jan. 1995): 477-480 http://www.jstor.org/stable/4617193
JAMS 47.3 (Autumn 1994): 541-549 http://www.jstor.org/stable/3128803
MT 135.1820 (Oct. 1994): 636-637 http://www.jstor.org/stable/1003129
19CM 19.1 (Summer 1995): 96-111 http://www.jstor.org/stable/746722
RdM 83e.1er (1997): 157-159 http://www.jstor.org/stable/947047
Jom 12.2 (Spring 1994): 219-232 http://www.jstor.org/stable/763989
MAL 76.1 (Feb. 1995): 135-139 http://www.jstor.org/stable/737795
SIG 21.2 (Winter 1996): 475-477 http://www.jstor.org/stable/3175076
WRB 11.9 (Jun. 1994): 22-23 http://www.jstor.org/stable/4021808
NWSA 15.3 (Fall 2003): 189-196 http://muse.jhu.edu/journals/nwsa_journal/v015/15.3borwick.html
3,794 views since June 30, 2018
ACLS Humanities E-Book logo

ACLS Humanities E-Book

  • About HEB
  • Contact HEB
  • For Librarians
  • Subscriptions

Powered by Fulcrum logo

  • About
  • Blog
  • Feedback
  • Contact
  • Contribute
  • Accessibility
  • Preservation
  • Privacy
  • Terms of Service
  • Log In
© ACLS Humanities E-Book 2020
x This site requires cookies to function correctly.