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Film noir and the spaces of modernity
Edward Dimendberg
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Exploring classic examples of film noir such as 'The Asphalt Jungle', 'Double Indemnity' and 'Kiss Me Deadly', alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper and Siegfried Kracauer.
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Frontmatter
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Introduction (page 1)
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1 Naked Cities (page 21)
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2 Centripetal Space (page 86)
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3 Walking Cures (page 119)
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4 Centrifugal Space (page 166)
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5 Simultaneity, the Media Environment, and the End of Film Noir (page 207)
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Notes (page 261)
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Index (page 315)
Journal Abbreviation | Label | URL |
---|---|---|
CINE | 30.2 (Spring 2005): 69-70 | http://www.jstor.org/stable/41689856 |
FQ | 60.2 (Winter 2006): 72-73 | http://www.jstor.org/stable/10.1525/fq.2006.60.2.72 |
Citable Link
Published: 2004
Publisher: Harvard University Press
- 9780674013469 (paper)
- 9780674013148 (hardcover)