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Streetwalking on a ruined map: cultural theory and the city films of Elvira Notari
Giuliana Bruno
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Frontmatter
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Acknowledgments (page ix)
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Mapping Out Discourse: An Introduction (page 3)
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PART I. SUPPRESSED KNOWLEDGE OF ELVIRA CODA NOTARI AND NEAPOLITAN FILM: A HISTORICAL PANORAMA
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1. Questions of History and Film in Italian Culture (page 11)
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2. Film Journals and Film Historiography (page 24)
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PART II. FILM IN THE CITYSCAPE: A TOPOANALYSIS OF SPECTATORSHIP
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3. Streetwalking around Plato's Cave, or The Unconscious Is Housed (page 35)
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4. Spectatorial Embodiments: Anatomies of the Visible and the Female Bodyscape (page 58)
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PART III. MANUFACTURING FILM CULTURE
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5. Dora Film: An Urban Production House (page 79)
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6. Women at Work: Manufacturing Movies (page 105)
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7. Dora Film of America: Women and Immigrants in the American Dream (page 122)
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8. Censorship: A Cut on the Wings of Desire (page 137)
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PART IV. THE METROPOLITAN TEXTURE
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9. Fragments of an Analyst's Discourse: Lacunae (page 147)
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10. The Architecture of Public Melodrama: A Corporeality of the Street (page 161)
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11. Between the Feast and the Law: The Carnivalization of Narration (page 187)
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12. City Views: Filmic Cityscape, Artistic Perspective, and Touristic Travel (page 201)
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PART V. FEMALE GEOGRAPHIES
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13. Anatomy of an Analysis: The Authorial Noir (page 233)
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14. Popular Cinema and Women's Literature: The Transito of Female Discourse (page 241)
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15. Medical Figures: Hysteria and the Anatomy Lesson (page 255)
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16. Topographies of Dark Female Pleasures (page 278)
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17. Written on the Body: Eroticism, Death, and Hagiography (page 309)
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Notes (page 329)
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Filmography (page 391)
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List of Illustrations (page 399)
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Index (page 405)
Journal Abbreviation | Label | URL |
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JSAH | 54.2 (June 1995): 248-251 | http://www.jstor.org/stable/990978 |
Citable Link
Published: c1993
Publisher: Princeton University Press
- 9780691025339 (paper)
- 9780691086286 (hardcover)
- 9781400843985 (ebook)