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Sound figures of modernity: German music and philosophy
Jost Hermand and Gerhard Richter
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Frontmatter
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Acknowledgments (page vii)
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1. German Music and Philosophy: An Introduction (JOST HERMAND and GERHARD RICHTER, page 3)
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2. Doppelbewegung: The Musical Movement of Philosophy and the Philosophical Movement of Music (LYDIA GOEHR, page 19)
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3. Brazen Wheels: F. W. J. Schelling on the Origins of Music and Tragedy (DAVID FARRELL KRELL, page 64)
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4. The Will as World and Music: Arthur Schopenhauer's Philosophy of Music (LUDGER LÜTKEHAUS, page 92)
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5. The Ring as Deconstruction of Modernity: Reading Wagner with Benjamin (SAMUEL WEBER, page 106)
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6. "Not Mere Music": Nietzsche and the Problem of Moral Content in Music (MARGARET MOORE and REBEKAH PRYOR PARÉ, page 124)
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7. Bloch's Dream, Music's Traces (GERHARD RICHTER, page 141)
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8. Dissonance and Aesthetic Totality: Adorno Reads Schönberg (BEATRICE HANSSEN, page 181)
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9. Thomas Mann: Pro and Contra Adorno (HANS RUDOLF VAGET, page 201)
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10. The Composer as Dialectical Thinker: Hanns Eisler's Philosophical Reflections on Music (ALBRECHT BETZ, page 232)
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11. Double Mimesis: Georg Lukács's Philosophy of Music (JOST HERMAND, page 244)
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Contributors (page 261)
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Index (page 263)
Citable Link
Published: 2006
Publisher: The University of Wisconsin Press
- 9780299219338 (ebook)
- 9780299219307 (hardcover)