Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Screening genders
Krin Gabbard and William Luhr
You don't have access to this book. Please try to log in with your institution.
Log in
-
Frontmatter
-
Acknowledgments (page ix)
-
Introduction (Krin Gabbard and William Luhr, page 1)
-
-
THE SUBJECT OF GENDER
-
A History of Gender Theory in Cinema Studies (E. Ann Kaplan, page 15)
-
Thoery into Practice: En-Gendering Narrative in Magnolia (Lucy Fischer, page 29)
-
-
GENDERING STARS
-
Stars, Gender, and Nation: Marcello Mastroianni and Italian Masculinity (Jacqueline Reich, page 49)
-
Wham! Bam! Pam!: Pam Grier as Hot Action Babe and Cool Action Mama (Chris Holmlund, page 61)
-
Crisis and Fear at the Movies and in Life, or On Being as Old as My Grandmother (Patricia Mellencamp, page 78)
-
-
GAY, STRAIGHT, QUEER, AND BEYOND
-
Ginger Rogers and Gay Men? Queer Film Studies, Richard Dyer, and Diva Worship (David Lugowski, page 95)
-
"As a Mother Cuddles a Child": Sexuality and Masculinity in World War II Combat Films (Robert T. Eberwein, page 111)
-
Transgender Mirrors: Queering Sexual Difference (Chris Straayer, page 123)
-
-
GENDERING GENRE
-
Hard Boiled and Soft Shelled: The Fat Heavy in Film Noir (Jerry Mosher, page 141)
-
Comedy, Melodrama, and Gender: Theorizing the Genres of Laughter (Kathleen Rowe Karlyn, page 155)
-
-
Works Cited (page 169)
-
Contributors (page 181)
-
Index (page 185)
Citable Link
Published: c2008
Publisher: Rutgers University Press
- 9780813543390 (hardcover)
- 9780813543406 (paper)