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  3. The Arts of Democratization: Styling Political Sensibilities in Postwar West Germany

The Arts of Democratization: Styling Political Sensibilities in Postwar West Germany

Jennifer M. Kapczynski and Caroline A. Kita, Editors
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  • Overview

  • Contents

Scholars of democracy long looked to the Federal Republic of Germany as a notable "success story," a model for how to transition from a violent, authoritarian regime to a peaceable nation of rights. Although this account has been contested since its inception, the narrative has proved resilient—and it is no surprise that the current moment of crisis that Western democracies are experiencing has provoked new interest in how democracies come to be. The Arts of Democratization: Styling Political Sensibilities in Postwar West Germany casts a fresh look at the early years of this fledgling democracy and draws attention to the broad range of ways democracy and the democratic subject were conceived and rendered at this time.

These essays highlight the contradictory and competing impulses that ran through the project to democratize postwar society and cast a critical eye toward the internal biases that shaped the model of Western democracy. In so doing, the contributions probe critical questions that we continue to grapple with today. How did postwar thinkers understand what it meant to be democratic? Did they conceive of democratic subjectivity in terms of acts of participation, a set of beliefs or principles, or perhaps in terms of particular feelings or emotions? How did the work to define democracy and its subjects deploy notions of nation, race, and gender or sexuality? As this book demonstrates, the case of West Germany offers compelling ways to think more broadly about the emergence of democracy. The Arts of Democratization offers lessons that resonate with the current moment as we consider what interventions may be necessary to resuscitate democracy today.

 

  • Cover
  • Title Page
  • Copyright Page
  • Dedication
  • Contents
  • Acknowledgments
  • Introduction
  • 1. Imperiled Democracies
  • 2. Intellectuals and the People
  • 3. Listening Toward Democracy
  • 4. Amateur Democrats
  • 5. No Country for Old Minds
  • 6. Democratic Reeducation
  • 7. Learning to Read Again
  • 8. First Comes the Feeding, Then Comes the Democratization
  • 9. Ruth Woodsmall, US Women’s Affairs, and Democratic Practice in the Early Federal Republic of Germany
  • 10. Redemptive Whiteness
  • 11. Foundational Narratives
  • 12. “A Memory Goes to Work”
  • Contributors
  • Index
Citable Link
Published: 2022
Publisher: University of Michigan Press
ISBN(s)
  • 978-0-472-13291-1 (hardcover)
  • 978-0-472-12979-9 (ebook)
Series
  • Social History, Popular Culture, and Politics in Germany
Subject
  • Political Science
  • History:German History
  • German Studies

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Photograph of fifteen panelists seated at a long conference table, with the audience listening attentively.

Panelists and audience, Engelsburg Recklinghausen, 28 July 1952

From Chapter 2

Figure 2.1. Panelists and audience, Engelsburg Recklinghausen, 28 July 1952. (Source: AdsD/Friedrich-Ebert-Stiftung.)

Photograph of Kogon between two miners, Kogon in a double-breasted suit and miners covered in coal dust, both with cigarettes, one with an open mouth.

Eugen Kogon with miners, Zeche König Ludwig 1, Recklinghausen, 5 July 1950

From Chapter 2

Figure 2.2. Eugen Kogon with miners, Zeche König Ludwig 1, Recklinghausen, 5 July 1950. (Source: AdsD/Friedrich-Ebert-Stiftung.)

Photograph of Ludwig and Weisenborn seated at a table at the head of a Mittwochgespräch, Ludwig holding an alarm clock.

From right: Günther Weisenborn, Gerhard Ludwig, and alarm clock, Cologne Central Station, 22 July 1953

From Chapter 2

Figure 2.3. From right: Günther Weisenborn, Gerhard Ludwig, and an alarm clock, Cologne Central Station, 22 July 1953. (Photograph: Peter Fischer. Source: HAStK.)

Photograph of people seated in a crowded hall, listening attentively, with one man standing and speaking in back.

Audience with questioner, Cologne Central Station, 19 October 1955

From Chapter 2

Figure 2.4. Audience with questioner, Cologne Central Station, 19 October 1955. (Photograph: Peter Fischer. Source: HAStK.)

Photograph of a woman standing, speaking, and gesturing pointedly, visible above the heads of seated audience members.

Contributor to Mittwochgespräche discussions, Cologne Central Station, date unknown, 1

From Chapter 2

Figures 2.5 and 2.6. Contributors to Mittwochgespräche discussions, Cologne Central Station, dates unknown. (Photographs: Waltraud Dönitz. Source: Eintritt, 16, 19.)

Close-up photograph of a man standing, speaking, and gesturing emphatically, hat in hand

Contributor to Mittwochgespräche discussions, Cologne Central Station, date unknown, 1

From Chapter 2

Figures 2.5 and 2.6. Contributors to Mittwochgespräche discussions, Cologne Central Station, dates unknown. (Photographs: Waltraud Dönitz. Source: Eintritt, 16, 19.)

Armed Services edition of the Selected Short Stories of Thomas Mann (1944).

Armed Services Edition of the Selected Short Stories of Thomas Mann (1944)

From Chapter 7

Figure 7.1. Armed Services edition of the Selected Short Stories of Thomas Mann (1944). (Author’s personal collection.)

Copyright page of the Bücherreihe Neue Welt edition of Thomas Mann’s Achtung, Europa!

Copyright page of the Bücherreihe Neue Welt

From Chapter 7

Page 138 →Figure 7.2. Copyright page of the Bücherreihe Neue Welt edition of Thomas Mann’s Achtung, Europa! (1945). (Author’s personal collection.)

The standard colophon showing two black horses used by the Bermann-Fischer Verlag.

Colophon showing two black horses used by the Bermann-Fischer Verlag from 1936 to 1948

From Chapter 7

Figure 7.3. The standard colophon showing two black horses used by the Bermann-Fischer Verlag.

Drawing of the POW camp Fort Kearney that appeared in the April 1946 issue of Der Ruf.

POW camp Fort Kearney

From Chapter 7

Figure 7.4. Drawing of the POW camp Fort Kearney that appeared in the April 1946 issue of Der Ruf.

Richard wearing his black leather coat at the hospital, a view of his back, shaking hands with another doctor.

Becoming a Doctor, becoming white, 1

From Chapter 10

Figures 10.1 and 10.2. Becoming a doctor, becoming white. Screenshots from Die große Versuchung (FRG 1952, D: Rolf Hansen), ARD-broadcast (n.d.).

A nun in a habit putting a white coat on Richard.

Becoming a Doctor, becoming white, 2

From Chapter 10

Figures 10.1 and 10.2. Becoming a doctor, becoming white. Screenshots from Die große Versuchung (FRG 1952, D: Rolf Hansen), ARD-broadcast (n.d.).

A close-up shot of an Afro-German baby wrapped in a white blanket.

Staging blackness, claiming innocence

From Chapter 10

Figure 10.3. Staging blackness, claiming innocence. Screenshot from Die Grosse Versuchung (FRG 1952, D: Rolf Hansen), ARD-broadcast (n.d.).

Walter talking to the chaplain while standing on a bridge above the city, holding his trumpet case under his arm.

Building Bridges

From Chapter 10

Figure 10.4. Building bridges. Screenshot from Die große Chance (FRG 1957, D: Hans Quest), DVD: Warner Home Video 2005.

Adenauer studying a religious image of Jesus as the “Man of Sorrows” with his face reflected in the glass of the frame.

Adenauer in Private

From Chapter 11

Figure 11.1. Adenauer’s face reflected over a devotional image of Jesus Christ. Adenauer in Private (Adenauer privat, Deutsche Wochenschau [unreleased], 1952). (German Federal Archive.)

An elderly woman, described in the documentation of the photograph as the mother of a POW, gratefully kisses Adenauer’s hand during remarks to the press. Adenauer had just returned from Moscow to Cologne/Wahn airport with the Soviet promise that the POWs would be released.

Meeting in the Kremlin

From Chapter 11

Figure 11.2. A POW’s mother kisses Adenauer’s hand on his return from Moscow. Meeting in the Kremlin (Begegnung im Kreml, Deutsche Wochenschau, 1956). (German Federal Archive.)

Adenauer (center, in the second-floor window) is honored with a Grand Tattoo ceremony in the courtyard of the Federal Chancellery on his eighty-fifth birthday.

The Federal Chancellor’s 85th Birthday

From Chapter 11

Figure 11.3. Adenauer (center) during the Grand Tattoo ceremony in honor of his eighty-fifth birthday. The Federal Chancellor’s 85th Birthday (Der 85. Geburtstag des Bundeskanzlers, Deutsche Wochenschau, 1961). (German Federal Archive).

A graphic of a bombed-out cityscape next to a life-size drawing of a man in shabby clothes with outstretched hands. A well-dressed female visitor looks away.

Train of Europe, photo 1

From Chapter 12

Figure 12.1. Paul Henning, photos from the Train of Europe/Europazug depicting visitors to the exhibit. (GEN 709 GEN 701).

A man in front of an illustration of two clasped hands superimposed over a map of Europe and North America.

Train of Europe, photo 2

From Chapter 12

Figure 12.2. Paul Henning, photos from the Train of Europe/Europazug depicting visitors to the exhibit. (GEN 709 GEN 701).

Muddy, snow-covered roads lined with houses in a refugee camp.

Camp for refugees at Neumunster

From Chapter 12

Figure 12.3. Todd Webb, old camp for refugees at Neumunster, Schleswig-Holstein. (GER 638).

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