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Visions of Japanese modernity: articulations of cinema, nation, and spectatorship, 1895-1925
Aaron Andrew Gerow
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Frontmatter
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List of Illustrations (page ix)
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Acknowledgments (page xi)
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Introduction (page 1)
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1. The Motion Pictures as a Problem (page 40)
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2. Gonda Yasunosuke and the Promise of Film Study (page 66)
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3. Studying the Pure Film (page 94)
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4. The Subject of the Text: Benshi, Authors, and Industry (page 133)
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5. Managing the Internal (page 174)
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Conclusion: Mixture, Hegemony, and Resistance (page 222)
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Notes (page 235)
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Selected Bibliography (page 289)
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Index (page 303)
Journal Abbreviation | Label | URL |
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Discourse | 34.1 (2012): 149-152 | http://www.jstor.org/stable/41850973 |
MN | 66.1 (2011): 184-188 | http://www.jstor.org/stable/41303096 |
FH | 42.1 (spring 2012): 26-29 | https://muse.jhu.edu/article/474396 |
Citable Link
Published: c2010
Publisher: University of California Press
- 9780520256729 (hardcover)
- 9780520254565 (paper)
- 9780520945593 (ebook)