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Poetics of the First Punic War

Thomas Biggs 2020
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Poetics of the First Punic War investigates the literary afterlives of Rome's first conflict with Carthage. From its original role in the Middle Republic as the narrative proving ground for epic's development out of verse historiography, to its striking cultural reuse during the Augustan and Flavian periods, the First Punic War (264–241 BCE) holds an underappreciated place in the history of Latin literature. Because of the serendipitous meeting of historical content and poetic form in the third century BCE, a textualized First Punic War went on to shape the Latin language and its literary genres, the practices and politics of remembering war, popular visions of Rome as a cultural capital, and numerous influential conceptions of Punic North Africa. Poetics of the First Punic War combines innovative theoretical approaches with advances in the philological analysis of Latin literature to reassess the various "texts" of the First Punic War, including those composed by Vergil, Propertius, Horace, and Silius Italicus. This book also contains sustained treatment of Naevius' fragmentary Bellum Punicum (Punic War) and Livius Andronicus' Odusia (Odyssey), some of the earliest works of Latin poetry. As the tradition's primary Roman topic, the First Punic War is forever bound to these poems, which played a decisive role in transmitting an epic view of history.
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ISBN(s)
  • 978-0-472-13213-3 (hardcover)
  • 978-0-472-12713-9 (ebook)
Subject
  • Classical Studies:Roman
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  • Table of Contents

  • Resources

  • Stats

  • Cover
  • Title Page
  • Copyright Page
  • Contents
  • Acknowledgments
  • Abbreviations, Texts, and Translations
  • Introduction
  • One. Rome, the Sea, and the “Roman Odyssey”
  • Two. Naevius’ First Punic War
  • Three. Mediated Memories
  • Four. An Augustan First Punic War
  • Five. The First Punic War in Silius Italicus’ Punica
  • Epilogue
  • Footnotes
  • Bibliography
  • Index Locorum
  • General Index

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Plate A contains eight images showcasing the obverse and reverse of four different circular Roman coins. Figure 1 displays both sides of a sextans. The obverse prominently depicts a seashell. The reverse depicts a caduceus, a staff associated with the god Mercury that contains two intertwined snakes at its top. Figure 2 is a triens that contains a dolphin on the obverse and a thunderbolt on the reverse. Figure 3 displays an as. The obverse displays a bi-form bearded head of the god Janus. The reverse depicts the prow of a Roman warship. Figure 4 is a denarius. The obverse displays the head of Pompeius Magnus. To the right of the head a trident is depicted. To the left, Latin text (a legend) contains the word NEPTVNI. The reverse depicts a ship with sail and sailors; to the upper left is a star. The legend below the image contains the text Q·NASIDIVS, a reference to the moneyer.

Photo plate with four Roman coins

Fig. 4. RRC 483/2, denarius, 44–43 BCE: obverse, head of Pompey the Great with trident, dolphin; reverse, ship, sailors, star. ANS 1935.117.24. (American Numismatic Society.)

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