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  3. Multiculturalism, postcoloniality, and transnational media

Multiculturalism, postcoloniality, and transnational media

Ella Shohat and Robert Stam
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  • Contents

  • Frontmatter
  • Acknowledgments (page vii)
  • Introduction (Ella Shohat and Robert Stam, page 1)
  • Fanon, Algeria, and the Cinema: The Politics of Identification (Robert Stam, page 18)
  • Beur Cinema and the Politics of Location: French Immigration Politics and the Naming of a Film Movement (Peter Bloom, page 44)
  • Dances With Wolves (Edward D. Castillo, page 63)
  • Screen Memories and Entangled Technologies: Resignifying Indigenous Lives (Faye Ginsburg, page 77)
  • "Train of Shadows": Early Cinema and Modernity in Latin America (Ana M. López, page 99)
  • Oedipus Tex/Oedipus Mex: Triangulations of Paternity, Race, and Nation in John Sayles's Lone Star (Julianne Burton-Carvajal, page 129)
  • Emigrants Twice Displaced: Race, Color, and Identity in Mira Nair's Mississippi Masala (Binita Mehta, page 153)
  • Itineraries of Indian Cinema: African Videos, Bollywood, and Global Media (Brian Larkin, page 170)
  • The "I" Narrator in Black Diaspora Documentary (Manthia Diawara, page 193)
  • Phobic Spaces and Liminal Panics: Independent Transnational Film Genre (Hamid Naficy, page 203)
  • "My Name is Forrest, Forrest Gump": Whiteness Studies and the Paradox of Particularity (Robyn Wiegman, page 227)
  • Warrior Marks: Global Womanism's Neo-Colonial Discourse in a Multicultural Context (Inderpal Grewal and Caren Kaplan, page 256)
  • Multiculturalism, Dictatorship, and Cinema Vanguards: Philippine and Brazilian Analogies (Talitha Espiritu, page 279)
  • The Appended Subject: Race and Identity as Digital Assemblage (Jennifer González, page 299)
  • Contributors (page 319)
  • Index (page 323)
Citable Link
Published: c2003
Publisher: Rutgers University Press
ISBN(s)
  • 9780813532356 (paper)
  • 9780813532349 (hardcover)
Subject
  • Film & Media Studies
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