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Manifest in words, written on paper: producing and circulating poetry in Tang Dynasty China
Christopher M. B. Nugent
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Frontmatter
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Figures (page xi)
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Abbreviations (page xiii)
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Introduction (page 1)
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1 Textual Variation in Poetic Manuscripts from Dunhuang (page 27)
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The "Qinfu yin" Manuscripts (page 31)
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Shorter Works from Earlier in Dynasty: Gao Shi (page 65)
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2 The Roles of Textual Memory and Memorialization in Medieval Literary Culture (page 72)
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Extraordinary Memory (page 76)
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Ordinary Memory (page 88)
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Limitations and Accuracy (page 106)
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Memory and Poetic Circulation (page 117)
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3 The Roles of Orality in Tang Poetic Culture (page 126)
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Composition (page 137)
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Circulation (page 153)
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4 Written Composition and Circulation (page 177)
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Composition (page 181)
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Circulation (page 192)
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Textual Reproduction and Change (page 221)
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5 Individual Literary Collections (page 236)
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Gathering the Texts (page 239)
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Editing and Copying (page 248)
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Roles of Collections in Tang Literary Culture (page 258)
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Collections and Critical Attitudes towards Poetry (page 276)
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Conclusion (page 285)
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Appendix
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Types of Variants Found in the "Qinfu yin" Manuscripts (page 297)
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Reference Matter
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Works Cited (page 313)
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Index (page 333)
Journal Abbreviation | Label | URL |
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JAS | 71.1 (Feb. 2012): 227-228 | http://www.jstor.org/stable/41350076 |
Citable Link
Published: 2010
Publisher: Harvard University Asia Center
- 9780674056039 (hardcover)