Manifest in words, written on paper: producing and circulating poetry in Tang Dynasty China

Table of Contents

• Frontmatter

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• Figures (page xi)

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• Abbreviations (page xiii)

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• Introduction (page 1)

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• 1 Textual Variation in Poetic Manuscripts from Dunhuang (page 27)

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  • The "Qinfu yin" Manuscripts (page 31)

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  • Shorter Works from Earlier in Dynasty: Gao Shi (page 65)

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• 2 The Roles of Textual Memory and Memorialization in Medieval Literary Culture (page 72)

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  • Extraordinary Memory (page 76)

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  • Ordinary Memory (page 88)

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  • Limitations and Accuracy (page 106)

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  • Memory and Poetic Circulation (page 117)

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• 3 The Roles of Orality in Tang Poetic Culture (page 126)

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  • Composition (page 137)

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  • Circulation (page 153)

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• 4 Written Composition and Circulation (page 177)

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  • Composition (page 181)

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  • Circulation (page 192)

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  • Textual Reproduction and Change (page 221)

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• 5 Individual Literary Collections (page 236)

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  • Gathering the Texts (page 239)

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  • Editing and Copying (page 248)

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  • Roles of Collections in Tang Literary Culture (page 258)

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  • Collections and Critical Attitudes towards Poetry (page 276)

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• Conclusion (page 285)

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• Appendix

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• Types of Variants Found in the "Qinfu yin" Manuscripts (page 297)

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• Reference Matter

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• Works Cited (page 313)

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• Index (page 333)

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