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Lord Strange's Men and Their Plays
Lawrence Manley and Sally-Beth MacLean
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For a brief period in the late Elizabethan Era an innovative company of players dominated the London stage. A fellowship of dedicated thespians, Lord Strange’s Men established their reputation by concentrating on “modern matter" performed in a spectacular style, exploring new modes of impersonation, and deliberately courting controversy. Supported by their equally controversial patron, theater connoisseur and potential claimant to the English throne Ferdinando Stanley, the company included Edward Alleyn, considered the greatest actor of the age, as well as George Bryan, Thomas Pope, Augustine Phillips, William Kemp, and John Hemings, who later joined William Shakespeare and Richard Burbage in the Lord Chamberlain’s Men. Though their theatrical reign was relatively short lived, Lord Strange’s Men helped to define the dramaturgy of the period, performing the plays of Shakespeare, Christopher Marlowe, Thomas Kyd, and others with their own distinctive flourish.
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Cover Page
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Title Page
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Copyright Page
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Dedication Page
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CONTENTS
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Preface
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Introduction
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ONE Origins of Lord Strange’s Men
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TWO Lord Strange’s Men in London, 1589–1593
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THREE A Census of the Repertory I: The Rose Plays
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FOUR A Census of the Repertory II: Lost Plays and Others
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FIVE The Archive: Sources and Genres in the Repertory
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SIX Repertoire: The Plays in Performance
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SEVEN Politics and Religion in the Repertory
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EIGHT Travels and Performance Venues
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NINE Shakespeare and Lord Strange’s Men
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TEN Endings
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APPENDIX A: Henslowe’s Diary Transcriptions
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APPENDIX B: Repertory Audit
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APPENDIX C: Itineraries of Lord Strange’s Men, 1576–1593
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APPENDIX D: Casting Studies
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APPENDIX E: Actor Comparison Chart
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Notes
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Bibliography
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Index
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Footnotes
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APPENDIX D: Casting Studies
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Citable Link
Published: 2014
Publisher: Yale University Press
- 9780300206890 (ebook)