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Desire and excess: the nineteenth-century culture of art
Jonah Siegel
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Frontmatter
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List of Figures (page vii)
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Acknowledgments (page xi)
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PREFACE (page xv)
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INTRODUCTION The Museum as Mortuary (page 3)
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PART ONE: ART IN THE MUSEUM: ARTIST AND FRAGMENT AT THE TURN OF THE NINETEENTH CENTURY (page 15)
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CHAPTER ONE David and Fuseli: The Artist in the Museum, the Museum in the Work of Art (page 17)
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CHAPTER TWO "Monuments of Pure Antiquity": The Challenge of the Object in Neoclassical Theory and Pedagogy (page 40)
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CHAPTER THREE "United, Complete Knowledge": Barry, Blake, and the Search for the Artist (page 73)
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PART TWO: THE AUTHOR AS WORK OF ART: ACCUMULATION, DISPLAY, AND DEATH IN LITERARY BIOGRAPHY (page 91)
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CHAPTER FOUR Hazlitt, Scott, Lockhart: Intimacy, Anonymity, and Excess (page 93)
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CHAPTER FIVE Keats: In the Library, in the Museum (page 130)
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PART THREE: ABSENCE AND EXCESS: THE PRESENCE OF THE OBJECT (page 165)
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CHAPTER SIX Outline, Collection, City: Hazlitt, Ruskin, and the Encounter with Art (page 167)
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CHAPTER SEVEN Vast Knowledge/Narrow Space: The Stones of Venice (page 197)
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PART FOUR: THE DEATHS OF THE CRITICS (page 225)
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CHAPTER EIGHT Modernity as Resurrection in Pater and Wilde (page 227)
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AFTERWORD Las Meninas as Cover: Foucault, Velazquez, and the Reflection of the Museum (page 263)
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Notes (page 279)
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Illustration Credits (page 337)
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Index (page 339)
Journal Abbreviation | Label | URL |
---|---|---|
MP | 100.2 (Nov. 2002): 304-307 | http://www.jstor.org/stable/1215745 |
AHR | 106.3 (Jun. 2001): 938-939 | http://www.jstor.org/stable/2692348 |
VLC | 29.2 (2001): 521-534 | http://www.jstor.org/stable/25058567 |
VLC | 35.1 (2007): 345-359 | http://www.jstor.org/stable/40347141 |
VS | 49.2 (Winter 2007): 389-392 | http://www.jstor.org/stable/4626324 |
Citable Link
Published: c2000
Publisher: Princeton University Press
- 9781400849826 (ebook)
- 9780691049144 (paper)
- 9780691049137 (hardcover)