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I was interrupted: Nicholas Ray on making movies
Nicholas Ray, Susan Ray and Bernard Eisenschitz
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Frontmatter
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Acknowledgments (page xiii)
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The Autobiography of Nicholas Ray (Susan Ray, page xv)
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Nicholas Ray: A Biographical Outline (Bernard Eisenschitz, page xli)
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IN CLASS I INTRODUCTION AND GROUND RULES (page 1)
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IN CLASS II MONOLOGUE: CONCENTRATION; ACTION; EYES; CONTROL OF EMOTIONAL MEMORY (page 12)
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IN CLASS III BACKSTORY; PREPARATION; FALSE START; DIRECTOR'S RELAXATION (page 32)
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IN CLASS IV SENSE MEMORY; SHOWING AND FORCING; WHAT TIME IS IT? (page 46)
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IN CLASS V TIME WAITS; ACTION; ANTICIPATING; "SIT ON IT" (page 61)
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IN CLASS VI THE CAMERA; INVOLUNTARY PERFORMANCE (page 82)
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IN CLASS VII SCRIPT BREAKDOWN (page 90)
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IN CLASS VIII ARTIFICE; USE OF OBJECTS; PLAYING SHAKESPEARE; "HIT-THE-MARK" ACTING (page 114)
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IN CLASS IX ACTION INTO THOUGHT; THE HERO (page 118)
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IN CLASS X CHARACTERIZATIONS (page 125)
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IN CLASS XI THE PARTY (page 144)
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IN CLASS XII THE FORGER (page 169)
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IN CLASS XIII THE FORGER (CONT'D.) (page 176)
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IN CLASS XIV THE FORGER (CONT'D.) (page 182)
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IN CLASS XV WRAP-UP (page 194)
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Filmographry (Bernard Eisenschitz, page 219)
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Index (page 235)
Journal Abbreviation | Label | URL |
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FQ | 48.1 (Autumn 1998): 64 | http://www.jstor.org/stable/1212948 |
Citable Link
Published: 1995
Publisher: University of California Press
- 9780520082335 (hardcover)
- 9780520201699 (paper)