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  3. I was interrupted: Nicholas Ray on making movies

I was interrupted: Nicholas Ray on making movies

Nicholas Ray, Susan Ray and Bernard Eisenschitz
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  • Contents

  • Reviews

  • Frontmatter
  • Acknowledgments (page xiii)
  • The Autobiography of Nicholas Ray (Susan Ray, page xv)
  • Nicholas Ray: A Biographical Outline (Bernard Eisenschitz, page xli)
  • IN CLASS I INTRODUCTION AND GROUND RULES (page 1)
  • IN CLASS II MONOLOGUE: CONCENTRATION; ACTION; EYES; CONTROL OF EMOTIONAL MEMORY (page 12)
  • IN CLASS III BACKSTORY; PREPARATION; FALSE START; DIRECTOR'S RELAXATION (page 32)
  • IN CLASS IV SENSE MEMORY; SHOWING AND FORCING; WHAT TIME IS IT? (page 46)
  • IN CLASS V TIME WAITS; ACTION; ANTICIPATING; "SIT ON IT" (page 61)
  • IN CLASS VI THE CAMERA; INVOLUNTARY PERFORMANCE (page 82)
  • IN CLASS VII SCRIPT BREAKDOWN (page 90)
  • IN CLASS VIII ARTIFICE; USE OF OBJECTS; PLAYING SHAKESPEARE; "HIT-THE-MARK" ACTING (page 114)
  • IN CLASS IX ACTION INTO THOUGHT; THE HERO (page 118)
  • IN CLASS X CHARACTERIZATIONS (page 125)
  • IN CLASS XI THE PARTY (page 144)
  • IN CLASS XII THE FORGER (page 169)
  • IN CLASS XIII THE FORGER (CONT'D.) (page 176)
  • IN CLASS XIV THE FORGER (CONT'D.) (page 182)
  • IN CLASS XV WRAP-UP (page 194)
  • Filmographry (Bernard Eisenschitz, page 219)
  • Index (page 235)
Reviews
Journal AbbreviationLabelURL
FQ 48.1 (Autumn 1998): 64 http://www.jstor.org/stable/1212948
Citable Link
Published: 1995
Publisher: University of California Press
Copyright Holder: University of California Press
ISBN(s)
  • 9780520201699 (paper)
  • 9780520082335 (hardcover)
Subject
  • Film & Media Studies
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