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Hollywood be thy name: African American religion in American film, 1929-1949
Judith Weisenfeld
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Frontmatter
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List of Illustrations (page ix)
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Acknowledgments (page xi)
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Introduction (page 1)
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1. "'Taint What You Was, It's What You Is Today": Hallelujah and the Politics of Racial Authenticity (page 19)
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2. "'De Lawd' A Natchel Man": The Green Pastures in the American Cultural Imagination (page 52)
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3. "A Mighty Epic of Modern Morals": Black-Audience Religious Films (page 88)
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4. "Saturday Sinners and Sunday Saints": Urban Commercial Culture and the Reconstruction of Black Religious Leadership (page 130)
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5. "A Long, Long Way": Religion and African American Wartime Morale (page 163)
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6. "Why Didn't They Tell Me I'm a Negro?": Lost Boundaries and the Moral Landscape of Race (page 204)
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Conclusion (page 235)
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Filmography (page 239)
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Notes (page 241)
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Select Bibliography (page 319)
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Index (page 331)
Journal Abbreviation | Label | URL |
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RAH | 36.1 (Mar. 2008): 89-94 | http://muse.jhu.edu/journals/reviews_in_american_history/v036/36.1butters.html |
Citable Link
Published: c2007
Publisher: University of California Press
- 9780520227743 (hardcover)
- 9780520251007 (paper)
- 9780520940666 (ebook)