Skip to main content
ACLS Humanities E-Book
Fulcrum logo

Share the story of what Open Access means to you

a graphic of a lock that is open, the universal logo for open access

University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.

  1. Home
  2. The collected essays of Milton Babbitt

The collected essays of Milton Babbitt

Milton Babbitt and Stephen Peles c2003 © Princeton University Press
Restricted You do not have access to this book. How to get access.
Read Book
ISBN(s)
  • 9781400841226 (ebook)
  • 9780691155401 (paper)
  • 9780691089669 (hardcover)
Subject
  • Music & Musicology
Citable Link

  • Table of Contents

  • Reviews

  • Stats

  • Frontmatter
  • Acknowledgments (page vii)
  • Preface (page ix)
  • The String Quartets of Bartók (1949) (page 1)
  • Review of Leibowitz, Schoenberg et son école 1950 (page 10)
  • Review of Le Système Dodécaphonique (1950) (page 16)
  • Review of Salzer, Structural Hearing (1952) (page 22)
  • Tintinnabulation of the Crochets (Review of Halsey Stevens, The Life and Music of Bartók) (1953) (page 31)
  • Musical America's Several Generations (1954) (page 34)
  • Some Aspects of Twelve-Tone Composition (1955) (page 38)
  • The Composer as Specialist (1958) (page 48)
  • Twelve-Tone Invariants as Compositional Determinants (1960) (page 55)
  • The Revolution in Sound: Electronic Music (1960) (page 70)
  • Past and Present Concepts of Nature and Limits of Music (1961) (page 78)
  • Set Structure as a Compositional Determinant (1961) (page 86)
  • Twelve-Tone Rhythmic Structure and the Electronic Medium (1962) (page 109)
  • Reply to George Perle's "Babbitt, Lewin, and Schoenberg: A Critique" (1963) (page 141)
  • Remarks on the Recent Stravinsky (1964) (page 147)
  • The Synthesis, Perception, and Specification of Musical Time (1964) (page 172)
  • An Introduction to the R.C.A. Synthesizer (1964) (page 178)
  • The Structure and Function of Musical Theory (1965) (page 191)
  • The Use of Computers in Musicological Research (1965) (page 202)
  • Egard Varèse: A Few Observations of His Music (1966) (page 213)
  • Three Essays on Schoenberg (1968) (page 222)
  • On Relata I (1970) (page 237)
  • Contribution to "The Composer in Academia: Reflections on a Theme of Stravinsky" (1970) (page 259)
  • Memorial for Mátyás Seiber (1970) (page 263)
  • Stravinsky Memorial (1971) (page 264)
  • Contemporary Music Composition and Musical Theory as Contemporary Intellectual History (1972) (page 270)
  • Memorial for Stefan Wolpe (1972) (page 308)
  • Since Schoenberg (1974) (page 310)
  • Celebrative Speech for the Schoenberg Centennial (1976) (page 335)
  • Responses: A First Approximation (1976) (page 341)
  • Introduction to Marion Bauer, Twentieth Century Music (1978) (page 367)
  • Foreword to David Epstein, Beyond Orpheus (1979) (page 371)
  • Memorial for Ben Weber (1979) (page 377)
  • Memorial for Robert Miller (1981) (page 380)
  • The More than the Sounds of Music (1984) (page 383)
  • I Remember Roger (1985) (page 388)
  • "All the Things They Are": Comments on Kern (1985) (page 395)
  • Memorial for Hans Keller (1986) (page 399)
  • Stravinsky's Verticals and Schoenberg's Diagonals: A Twist of Fate (1987) (page 404)
  • On Having Been and Still Being an American Composer (1989) (page 428)
  • A Life of Learning (1991) (page 437)
  • Brave New Worlds (1994) (page 459)
  • My Vienna Triangle (1999) (page 466)
  • Index (page 489)
Reviews
Journal AbbreviationLabelURL
MAL 86.1 (Feb. 2005): 157-160 http://muse.jhu.edu/journals/music_and_letters/v086/86.1simms.html
502 views since June 30, 2018
ACLS Humanities E-Book logo

ACLS Humanities E-Book

  • About HEB
  • Contact HEB
  • For Librarians
  • Subscriptions

Powered by Fulcrum logo

  • About
  • Blog
  • Feedback
  • Contact
  • Contribute
  • Accessibility
  • Preservation
  • Privacy
  • Terms of Service
  • Log In
© ACLS Humanities E-Book 2020
x This site requires cookies to function correctly.