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  2. Nuyorican Feminist Performance: From the Café to Hip Hop Theater

Nuyorican Feminist Performance: From the Café to Hip Hop Theater

Patricia Herrera 2020
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The Nuyorican Poets Café has for the past forty years provided a space for multicultural artistic expression and a platform for the articulation of Puerto Rican and black cultural politics. The Café's performances—poetry, music, hip hop, comedy, and drama—have been studied in detail, but until now, little attention has been paid to the voices of its women artists. Through archival research and interview, Nuyorican Feminist Performance examines the contributions of 1970s and '80s performeras and how they challenged the Café's gender politics. It also looks at recent artists who have built on that foundation with hip hop performances that speak to contemporary audiences. The book spotlights the work of foundational artists such as Sandra María Esteves, Martita Morales, Luz Rodríguez, and Amina Muñoz, before turning to contemporary artists La Bruja, Mariposa, Aya de León, and Nilaja Sun, who infuse their poetry and solo pieces with both Nuyorican and hip hop aesthetics.
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ISBN(s)
  • 978-0-472-07448-8 (hardcover)
  • 978-0-472-05448-0 (paper)
  • 978-0-472-12676-7 (ebook)
Subject
  • Literary Studies:Poetry and Poetry Criticism
  • Latinx Studies
  • Theater and Performance
  • American Studies
Citable Link
  • Table of Contents

  • Resources

  • Stats

  • Cover
  • Title Page
  • Copyright Page
  • Dedication
  • Contents
  • Acknowledgments
  • Prologue
  • Chapter 1. Practicing a Feminist Nuyorican Aesthetic
  • Chapter 2. Gendering the Genealogies of the Nuyorican Aesthetic
  • Chapter 3. The Founding Mothers of the Nuyorican Poets Café
  • Chapter 4. Masculinity in Hip Hop, Spoken Word, and Slam Poetry
  • Chapter 5. “It Was Definitely a Family Affair”
  • Chapter 6. Performing Afro-Latinidad
  • Chapter 7. A Hip Hop Feminist Approach to Aya de León’s Thieves in the Temple
  • Chapter 8. Beyond the Tangible
  • Epilogue
  • Notes
  • Bibliography
  • Index

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Figure 10. Flier of a New Rican Village’s band Conjunto Libre performance at the Delacorte Theatre in Central Park. The flier includes a drawing of a guitar, piano, flute, a brass instrument, different types of drums like congas, bongos, and timbales, and pairs of claves and maracas.

Flier of a Nuyorican Village Conjunto Libre performance designed by Néstor Otero.

From Chapter 3

Figure 10. Flier advertising performance of New Rican Village’s salsa performance, July 17, 1978 at the Delacorte Theatre. Designed by Néstor Otero. Courtesy of Sandra María Esteves.

Figure 11. Flier of New Rican Village performance. Esteves includes cropped photographs of men and women in motion from playing the alto saxophone to drumming to wearing a vejigante costume. A series of images captures a female dancer moving from one point to another. The dancer jumps in the air, extends her arms and legs to execute a jeté, and then reaches sideways, extending her arms upwards, and falls to the ground.

Flier of New Rican Village Performance designed by Sandra María Esteves.

From Chapter 3

Figure 11. Poster of New Rican Village performance, Summer 1978. Designed by Sandra María Esteves. Courtesy of the artist.

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