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It's all true: Orson Welles's Pan-American Odyssey
Catherine L. Benamou
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Frontmatter
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LIST OF ILLUSTRATIONS (page xi)
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ACKNOWLEDGMENTS (page xiii)
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INTRODUCTION: LOCATING ORSON WELLES'S IT'S ALL TRUE (page 1)
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1. In Production, 1941-1942 (page 23)
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2. Toward the Text of It's All True, Based on the Work in Progress (page 61)
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3. Postproduction: The Trajectory of the Film Object, and That of Critical Discourse (page 130)
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4. Almofala: A Wellesian Text (page 156)
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5. Labirinto: The Politics and Poetics of a Text-in-the-Making (page 194)
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6. Zoom, Pan, and Rack Focus: The Film's Suspension Examined (page 227)
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7. The Legacy of a Phantom Film, 1945-2003 (page 276)
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CONCLUSION: IT'S ALL TRUE, ORSON WELLES, AND HEMISPHERIC HISTORY (page 297)
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APPENDIX 1: PAGES FROM A RESEARCH SCRAPBOOK: JACARÉ'S FAMILY REMEMBERS (page 305)
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APPENDIX 2: FACT SHEETS FOR FILMED EPISODES OF IT'S ALL TRUE, 1941-1942 (page 310)
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NOTES (page 319)
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BIBLIOGRAPHY (page 363)
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INDEX (page 381)
Citable Link
Published: c2007
Publisher: University of California Press
- 9780520938144 (ebook)
- 9780520242487 (paper)
- 9780520242470 (hardcover)