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The dastgāh concept in Persian music
Hormoz Farhat
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Frontmatter
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Preface (page ix)
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Note on transliterations (page xi)
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Opening statement (page 1)
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1 A brief historical perspective (page 3)
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2 Intervals and scales in contemporary Persian music (page 7)
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3 Musical concepts and terminology (page 19)
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4 Dastgāh-e Šur (page 27)
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5 Dastgāh-e Abuatā (page 35)
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6 Dastgāh-e Dašti (page 39)
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7 Dastgāh-e Bayāt-e Tork (page 43)
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8 Dastgāh-e Afšari (page 47)
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9 Dastgāh-e Segāh (page 51)
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10 Dastgāh-e Čahārgāh (page 56)
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11 Dastgāh-e Homāyun (page 65)
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12 Dastgāh-e Bayāt-e Esfahān (page 76)
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13 Dastgāh-e Navā (page 81)
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14 Dastgāh-e Māhur (page 89)
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15 Dastgāh-e Rāst (Rāst-Panjgāh) (page 100)
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16 Vagrant gušes (page 109)
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17 Compositional forms (page 113)
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Closing statement (page 121)
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Appendix (page 122)
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Notes (page 193)
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Bibliography (page 195)
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Index (page 199)
Journal Abbreviation | Label | URL |
---|---|---|
ETH | 36.3 (Autumn 1992): 422-425 | http://www.jstor.org/stable/851875 |
BSOAS | 55.2 (1992): 338-340 | http://www.jstor.org/stable/619645 |
ASM | 23.2 (Spring-Summer 1992): 168-171 | http://www.jstor.org/stable/834179 |
MAL | 72.3 (Aug. 1991): 484-486 | http://www.jstor.org/stable/736259 |
BJE | 1 (1992): 149-151 | http://www.jstor.org/stable/3060736 |
NOT | 49.1 (Sep. 1992): 72-74 | http://www.jstor.org/stable/897190 |
Citable Link
Published: c1990
Publisher: Cambridge University Press
- 9780521305426 (hardcover)
- 9780521542067 (paper)
- 9781139085885 (ebook)