Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Overtones and undertones: reading film music
Royal S. Brown
You don't have access to this book. Please try to log in with your institution.
Log in
-
Frontmatter
-
Acknowledgments (page ix)
-
Introduction (page 1)
-
1 Narrative/Film/Music (page 12)
-
2 Actions/Interactions: "Classical" Music (page 38)
-
3 Actions/Interactions: Historical Overview (page 50)
-
4 Actions/Interactions: The Source Beyond the Source (page 67)
-
5 Styles and Interactions: Beyond the Diegesis (page 92)
-
6 Hermann, Hitchcock, and the Music of the Irrational (page 148)
-
7 New Styles, New Genres, New Interactions (page 175)
-
8 Music as Image as Music: A Postmodern Perspective (page 235)
-
A Brief (Postmodern) Conclusion (page 264)
-
Interviews (page 269)
-
Appendix: How to Hear a Movie: An Outline (page 343)
-
Notes (page 353)
-
Discography (page 367)
-
Bibliography (page 373)
-
Index (page 379)
Journal Abbreviation | Label | URL |
---|---|---|
FQ | 49.4 (Summer 1996): 51-52 | http://www.jstor.org/stable/1213564 |
Citable Link
Published: c1994
Publisher: University of California Press
- 9780520085442 (paper)
- 9780520914773 (ebook)
- 9780520083202 (hardcover)