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  3. Overtones and undertones: reading film music

Overtones and undertones: reading film music

Royal S. Brown
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  • Contents

  • Reviews

  • Frontmatter
  • Acknowledgments (page ix)
  • Introduction (page 1)
  • 1 Narrative/Film/Music (page 12)
  • 2 Actions/Interactions: "Classical" Music (page 38)
  • 3 Actions/Interactions: Historical Overview (page 50)
  • 4 Actions/Interactions: The Source Beyond the Source (page 67)
  • 5 Styles and Interactions: Beyond the Diegesis (page 92)
  • 6 Hermann, Hitchcock, and the Music of the Irrational (page 148)
  • 7 New Styles, New Genres, New Interactions (page 175)
  • 8 Music as Image as Music: A Postmodern Perspective (page 235)
  • A Brief (Postmodern) Conclusion (page 264)
  • Interviews (page 269)
  • Appendix: How to Hear a Movie: An Outline (page 343)
  • Notes (page 353)
  • Discography (page 367)
  • Bibliography (page 373)
  • Index (page 379)
Reviews
Journal AbbreviationLabelURL
FQ 49.4 (Summer 1996): 51-52 http://www.jstor.org/stable/1213564
Citable Link
Published: c1994
Publisher: University of California Press
ISBN(s)
  • 9780520085442 (paper)
  • 9780520914773 (ebook)
  • 9780520083202 (hardcover)
Subject
  • Film & Media Studies
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