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  2. Sonic transformations of literary texts: from program music to musical ekphrasis

Sonic transformations of literary texts: from program music to musical ekphrasis

Siglind Bruhn 2008 © Pendragon Press
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ISBN(s)
  • 9781576471401 (paper)
Subject
  • Music & Musicology
Citable Link
  • Table of Contents

  • Stats

  • Frontmatter
  • Introduction (Siglind Bruhn, page 7)
  • PART I Fateful Couples and Symbols of Death in Romantic Piano Music and Opera
    • Chopin's Preludes Op. 28 and Lamartine's Les Préludes (Anatole Leikin, University of California at Santa Cruz, page 13)
    • Transposition and Transition: Berlioz's Romeo et Juliette (John Neubauer, University of Amsterdam, page 45)
    • The Iagoization of Otello: A Study in Verdi's Musical Translation of Shakespeare's Linguistic Dramaturgy (Jeffrey Kurtzman, Washington University in Saint Louis, page 69)
  • PART II Echoes of Anguish and Agony in 20th-century Chamber Music
    • Interpreting Interpretation: Janácek's String Quartet No. 1 (William P. Dougherty, Drake University, page 105)
    • "Streicht dunkler die Geigen": On musical renderings of Paul Celan's poetry (Axel Englund, University of Stockholm, page 119)
    • "Ming I - Die Verwundung des Hellen": Walter Steffens's Compositions about Suffering and Fate (Siglind Bruhn, University of Michigan, page 143)
  • PART III Intermedial Re-presentations and Reflections in Musical Expressionism
    • The Tone Poem: Music between Literary Criticism, Tone Painting, and Sonata Form Plots (Mathieu Schneider, University of Strasbourg, page 173)
    • Schoenberg's Pierrot lunaire: A Musical Transformation of Art Nouveau (Beat A. Föllmi, University of Strasbourg, page 203)
    • Amers: André Boucourechliev and Saint-John Perse, a Missed Encounter? (Christine Esclapaz, University of Aix-Marseille, page 221)
  • Index (page 233)
  • The Contributors (page 237)
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