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Father and son: Kingsley Amis, Martin Amis, and the British novel since 1950
Gavin Keulks
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Frontmatter
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Acknowledgments (page viii)
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Introduction: The Amises, Tradition, and Influence: Genealogical Dissent (page 3)
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PART I. CRITICAL CARTOGRAPHY: CHARTING THE ARTISTIC ALLEGIANCES
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1. The Amises on American Literature: Nabokov, Bellow, Roth (page 33)
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2. The Amises on English Literature: Austen, Waugh, Larkin (page 66)
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PART 2. INFLUENCE AND INTERSECTION: THE INTERPLAY OF INDIVIDUAL WORKS
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3. The Amises on Comedy: Lucky Jim and The Rachel Papers (page 101)
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4. The Amises on Satire: Ending Up and Dead Babies (page 133)
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5. The Amises on Realism and Postmodernism: Stanley and the Women and Money: A Suicide Note (page 162)
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6. The Amises on Love, Death, and Children: The Letters of Kingsley Amis and Experience: A Memoir (page 199)
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Conclusion: Projecting a Future: The Amises, Genealogical Dissent, and the British Novel since 1950 (page 227)
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Notes (page 257)
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Bibliography (page 307)
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Index (page 323)
Journal Abbreviation | Label | URL |
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ConL | 46.3 (Fall 2005): 544-554 | http://muse.jhu.edu/journals/contemporary_literature/v046/46.3baker.html |
Citable Link
Published: c2003
Publisher: The University of Wisconsin Press
- 9780299192136 (ebook)
- 9780299192105 (hardcover)
- 9780299192143 (paper)