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Filtering by: Subject Film & Media Studies

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Funny pictures: animation and comedy in studio-era Hollywood

Goldmark, Daniel; Keil, Charlie

Visions of Japanese modernity: articulations of cinema, nation, and spectatorship, 1895-1925

Gerow, Aaron Andrew

Zaprudered: the Kennedy assassination film in visual culture

Vågnes, Øyvind

Censorship and sexuality in Bombay cinema

Mehta, Monika

Edna Ferber's Hollywood: American fictions of gender, race, and history

Smyth, J. E.

From Walt to Woodstock: how Disney created the counterculture

Brode, Douglas

Israeli cinema: identities in motion

Talmon, Miri; Peleg, Yaron

"Evil" Arabs in American popular film: orientalist fear

Semmerling, Tim Jon

Identity politics on the Israeli screen

Loshitzky, Yosefa

First cut 2: more conversations with film editors

Oldham, Gabriella

American cinema of the 1920s: themes and variations

Fischer, Lucy

Elegy for theory

Rodowick, David Norman

Cinema and experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno

Hansen, Miriam

The age of new waves: art cinema and the staging of globalization

Tweedie, James

Opening Bazin: postwar film theory and its afterlife

Andrew, Dudley; Joubert-Laurencin, Herve

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Books

Subject

Author

Publisher

Series

Funny pictures: animation and comedy in studio-era Hollywood

Visions of Japanese modernity: articulations of cinema, nation, and spectatorship, 1895-1925

Zaprudered: the Kennedy assassination film in visual culture

Censorship and sexuality in Bombay cinema

Edna Ferber's Hollywood: American fictions of gender, race, and history

From Walt to Woodstock: how Disney created the counterculture

Israeli cinema: identities in motion

"Evil" Arabs in American popular film: orientalist fear

Identity politics on the Israeli screen

First cut 2: more conversations with film editors

American cinema of the 1920s: themes and variations

Elegy for theory

Cinema and experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno

The age of new waves: art cinema and the staging of globalization

Opening Bazin: postwar film theory and its afterlife

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